Venomiss

1527009752979.jpg

As a kid I was always a big Spider-Man fan. When Spider-Man switched to the black suit I didn’t know why because I hadn’t read Secret Wars. I liked comic books but I never really read them in order. I just knew I thought it looked cool and I was not happy when he had to get rid of it. As it turned out the black suit was an alien symbiote that would take over its host. That being said it gave birth to a whole new character. Venom was pretty much a huge hulking evil Spider-Man whose Alter Ego Eddie Brock hated Peter Parker and Spider-Man. The stories where they were fighting with each other were some of my favorites. I really enjoyed when they teamed up together to fight Carnage which was an even more evil version of Venom.

Marvel Comics

Marvel Comics

My friend Rebecca and I went to see Infinity War together for my second time and we were excited to see a Venom trailer. Having body painted Rebecca before she commented that Venom would be cool to paint. She was right but I had seen it done so many times before. I feel like it’s almost a rite of passage as a body painter having admired the body paints years before I even thought about body painting. I have seen some really good Venom body paints and some really bad ones. I think my main concern with doing the body paint was landing in the second category. I never shy away from a challenge so I started planning.

Rebecca said, “I have always loved spider-man. From a very young age I thought Toby Maguire was the end all be all and wished I could be in Mary Jane’s shoes. However, Venom has always been one of my favorite Marvel villains. The visual of the symbiote covering Eddie Brock’s body is harrowing and terrifying but it was so cool I couldn’t not watch it every time I saw it. So when Matt and I went to see Infinity War and we saw the preview for the new Venom movie it was like a part of my childhood was coming to the forefront again. I turned to Matt and said “I wanna do that. Lets body paint Venom.” He agreed and I was pumped.” 

Marvel Comics

Marvel Comics

First thing I did was ask Danny Alexander if he would be willing to photograph it. Lucky for me he is a nerd too and I think was excited to shoot a Venom body paint. With the team in place I started planning in my head. Venom is a pretty well-known character so I wanted to stay true to the original design. I knew with all of Rebecca’s thick hair I didn’t want to mess with a bald cap. I thought we could go for a concept where the Venom symbiote was taking over. Doing this I could leave areas of open skin and add more detailing and interest as the black paint appeared to stretched across bare skin.


Rebecca showed up early the morning of the photo-shoot so that we could get started. I had gotten some Monster Pasties for her to wear to give the black a really smooth super suit look. Monster Pasties are great because not only are they made for body paint but they go on very easy. Rebecca was in the bathroom for way longer than it takes to apply the pasties. When I went to check on her I could see the panic in her face. The way you apply the Monster Pasties is kind of like a temporary tattoo. You peel off the plastic, place the center of the pasty over the nipple while pressing firmly making sure all of the edges are down while dabbing a damp wash cloth to release the pasty from the paper. Just like a temporary tattoo if you try to apply it without removing the plastic, you ruin it. Unfortunately this is what Rebecca had done. Knowing we didn’t have a backup pair we just sat there saying curse words under our breath until she just said we would have to go without. Knowing that Danny was coming and the only other option was to cancel we decided to move forward and start painting.

Rebecca said, The day finally came and I pulled myself out of bed at 8:30 on a Sunday morning in order to get painting in time for some events both Matt and I had later on in the day. Once I got to Matt’s place I got ready and prepped for the paint and one of the main steps in prepping for body paint is putting on the pasties. However, me not being fully awake yet I managed to royally screw up one of the pasties. I felt awful and I knew there was no way I could postpone the makeup and shoot because all of us were just too excited. So I got over myself and went fully topless.” 

Behind the Scenes Selfie

Behind the Scenes Selfie

I knew I just had to position everything so that black paint ended up over her nipples which would make them easier for Danny to edit out in post. The first thing I started painting was the gapping mouth Venom is known for. Not only did I know that would be the most difficult part but I knew it would be the center piece as it goes from just under her nose down to her chest with the tongue snaking around her shoulder. Once the mouth was done sans the black I started making out where the open skin sections would be which would let me know how much of the white spider on the chest was needed. I then airbrushed in a brown drop shadow where the black paint/symbiote would meet the skin. Positioning the legs of the spider was easier than expected. It made sense to keep them on the breast for fear of losing the proper shape and flow if I went below the breast. I placed Venom’s eye around Rebecca’s eye instead of over it. No matter how much paint I used Rebecca’s dark eyelash would have still be been visible in Venom’s solid white eye, while painting black over her eye would make it pretty much disappear.

1 (1).jpg

Once I got all the white painted on the black was smooth sailing. After doing a couple layers of black for a good overall coverage I started to streak the black over the bare skin to make it look like the symbiote was trying to close the holes over the bare skin. Except for the drop shadow I had hand painted everything up until this point. I broke out my airbrush to do some highlights and low lights. I wanted to add some stretching over the bare skin parts and detailed the edges. Using grey, white, and light blue airbrush paint I went in and highlighted and detailed to give the solid black areas a little more depth. I also airbrushed some black to get rid of the harsh line where the tongue disappeared into the throat.

Rebecca said, “3 hours later I was painted and Danny arrived and we started shooting. The paint looked so amazing and I felt like such a bad-ass all thanks to Matt and Danny”

4.jpg

The way Danny lit the photos really brought everything to life. Danny also brought an apple box. I didn’t know what he had in mind for it but I was still painting when he showed up so I didn’t question it. When he felt we had a good static shot of the body paint we moved to the apple box. He had Rebecca crouch on the box so he could shoot from slightly below her. Posing for body paint is vulnerable enough so I give props to Rebecca because without hesitation she was able to nail the pose which I knew couldn’t have been comfortable in only a thong. Danny wanted an image he could composite to make it look like she was perched on a rooftop. When I saw the image for the first time it looked like to was ripped from the pages of the comic book

Rebecca and I with Poe the Kitten

Rebecca and I with Poe the Kitten

Rebecca said, I don’t consider myself a model but this has got to be my favorite shoot I’ve ever done. I truly appreciate Matt and all his hard work and I thank Danny Alexander so much for helping us create such a cool concept. He also did wonders with helping me to pose and show off the paint in the best way possible. I’m extremely grateful to be a part of this team and I can’t wait to do more body paint modeling in the future.” 

 

Like I said before, I have seen Venom body paints done so many times before. I am not going to say the one I did is one of the best, not by a long shot. That said I am very happy with the paint I was able to do. Danny and Rebecca really made me look like I knew what I was doing. When it comes to body paints I definitely like creating my own thing and doing something that no one has seen before. That said this is my third comic book character body paint and I really love bringing these heroes and villains to life.

2 (1).jpg

Refraction

1526908150302.jpg

Before my good friend and photographer Chelsea Marrin moved back to Chicago this past February she asked me if I wanted to do one more photo-shoot. During Chelsea’s short time living in Louisville we became very close. We worked on a lot of fun and some very emotionally charged projects together. It was always interesting seeing the crazy setups she would do. She helped me create art to help me through a tough time and I hope I was able to do the same for her. That all said I couldn’t pass up a final opportunity to work with someone I had become so close to. The only time she had available was a Saturday evening. Turns out that Saturday I already had 2 other makeups to do. The first of which was a beauty shoot. Then from there I had a 30-40 minute drive to my next makeup which was the Hindu Goddess, Kali which was character body paint. Knowing that both of my other photo shoots were all so far out and even sprawling from each other I knew I couldn’t pass up working with my friend one last time. I did makeup on her first photo-shoot in Louisville and I wanted to book end it by working on her last.

Wheels were set in motion so we got to planning. The first model we cast was Abbie Purdie who I had worked with a lot recently and she always does a killer job. Chelsea and I knew we wanted to do something wild. The inspiration photos that Chelsea sent me had these crazy shadows and bugs incorporated into the makeup. She thought it would work best with two models. With Abbie being a Tall blonde I though Leah Goforth who is the same height and brunette would be great and the two would complement each other well.

For the bug element we decided to go with bees. We were short on time so I looked around a few place locally to find realistic looking fake bees. Nothing I could find really matched what we were going for. As it turns out finding dead bees intact in the middle of winter was not easy either. I called around to a few places that had hives to see if they had any that had died of natural causes. They did but they were not in good condition. With legs or wings missing they wouldn’t work for the looks we wanted. We needed them to be pristine. I am sure the models were happy I couldn’t find any dead bugs to work into the makeups but that meant we had to rethink our concept.

20180210_205714.jpg

Up until we showed up at the studio we didn’t really know what we were doing. I knew we had a great team with great models and Caleb Yeske doing hair. I like going in with a plan but I knew somehow we would be ok. Chelsea had an idea to use this crazy lens for her camera that can warp images and distort light called a Lens-Baby. Chelsea was also shooting through a separate piece of glass to catch the lights reflecting. It’s a really cool effect but I knew with that on top of the gels she was going to be using the makeup would get lost if I didn’t do something drastic.

20180214_141349.png
20180210_192117.jpg

I decided to do the makeups almost as if the models were already in gelled lighting. In regular lighting the makeups looked pretty out there, almost like something you would have seen on Star Trek in the 60’s. I gave Leah a purple tone and Abbie a blue tone. I used all cream based makeups because airbrush would have been a little bit to clean of a transition. I thought they were very pretty but also other worldly. It’s important as a makeup artist to take the lights on a photo shoot into consideration. The makeups were extremely pale and blended down the neck to the chest. I used a really heavy copper to contour and then covered them both to finish the makeups off I used a frosted gold shimmer powder. With all of the lights I knew the shimmer would catch the lights and create a really nice effect. Luckily I have worked with Chelsea enough that she trusted that I had an idea of what I was doing.

00014938.jpg
00014833.jpg

We were all looking at the images as they were being taken and they were looking phenomenal.  With the hair, the lighting setup, the crazy lens, makeup and the amazing models we got some really amazing images. I actually like how in the images you can see where the makeup stops and the skin starts. I think it shows how the lights really effected the overall look of the makeups. After the shoot a few of us went out for drinks. We went to a bar that has some dancing and a lot of neon lights. Abbie didn’t take off her makeup and when we got there I think she was afraid people would think she was nuts. The funny thing is with all of the neon lights in the bar she pretty much looked like how the final images turned out.

00015081 (1).jpg
00015023 (1).jpg
00014974 (1).jpg

Shape of Colour: Inspiration

20180220_080955.png

As artists I think we gather inspiration from so many places often times we aren’t even aware. I have helped create images before and looked back and realized where I got the inspiration from. A while back I did a photo where we had my hand all made up like a corpse hand reaching up around a beautiful models face. The photo was really popular and several people had used it for inspiration. Some copied more than were inspired but regardless they liked what we had done and it made them want to create something. That being said on that same image we created that inspired them we were also inspired by outside sources. The hand was inspired by the cover art for the movie House. There is no way around it. There are no original ideas, only new ways to interpret them and piece them together.

My good friend and model Katya Estes came to me a little while back with some inspiration photos. They were really cool but at first I didn’t know what to do with them. I usually like to find my own inspiration images because I generally already know what I am going to do with them to make them my own. For one I didn’t know how similar she wanted it or how different I could stray. I am never one to shy away from a challenge though. The trick was to change it enough to be mine but still hold on to a bit of the inspiration.

These were our Inspiration Images. I do not know the teams that created them sadly.

These were our Inspiration Images. I do not know the teams that created them sadly.

Katya, luckily like me does not like glitter so that part of the inspiration was thrown out immediately. The main thing I was drawn to was the shapes and harsh lines. One of my favorite shirts when I was a kid had orange and turquoise panels sewn on in sharp shapes which I wanted to draw on for ideas. That being said I didn't go back and look at photos of the shirt because I didn't want it to influence me too heavily. Luckily I was able to talk the team into that color scheme. From there I wanted it to have a kind of Miami art deco kind of feel. My ideas were focused mainly on the face. Our amazing photographer Erik Branch suggested we do something on the neck as well because one of inspiration images had a painted neck.

 I took that opportunity to really put my stamp on the look. I taped off the shapes to give it the hard lines that I wanted which was something Katya is use to working with me as much as she does. I felt like that was what really made the makeup and the images unique. It also really brought in the influence of the panels on the shirt I had as a child as I remembered.  Then I added the finishing touches like the darker orange lip, the light blue in the water line of her non-blocked out eye and the flourish of orange on the eyebrow and I was done.

6.jpg

Caleb Yeske was our hairstylist. While you can’t really see his hair work he was a huge part on the team. He was able to get all of Katya’s hair wrapped very tightly so that he could put the bandage on without any lumps. When it came time to add the silver string we left him in charge of that as well. I noticed something as I was helping him cut the string. If you weren’t careful the string would unravel and it couldn't be used. I took that opportunity to take some on the string and deconstruct it and use the strands as a kind of burst from the somewhat naked eye.

8.jpg

I could not be happier with how these came out. I am very proud of the whole team and what we were able to do with the inspiration given. There are no new ideas under the sun so don’t be ashamed of your inspiration. It sometimes also helps to pull ideas from multiple places. Own it and add to it, make it yours. It reminds me of when I worked retail. I know it’s not the same thing but teenagers would come in all the time to our store. They would find something they liked but wouldn’t want to get it because someone else they knew had it. My advice was always, “It’s not what you wear, but how you wear it.” In short, make it your own.

Team Left To Right:  Model: Katya Estes  Hair Stylist: Caleb Yeske  Photographer: Erik Branch  Makeup: Myself

Team Left To Right:

Model: Katya Estes

Hair Stylist: Caleb Yeske

Photographer: Erik Branch

Makeup: Myself

Matt Goodlett Makeup 2018

1517332555347.jpg

I have been going through some personal life changes here recently and not seeing things as I once did. 2017 was a tough year and I am glad to move past it and work on the future. I was questioning a lot about myself as well as the people around me. I know the “New Year” is nothing more than a continuation of time and dates are just a man-made construct but it is hard not to look at it as some kind of marker. I figured it was as good a time as any to look at 2018 as a rebuilding year. It was time to look at myself and figure out what I wanted, why I haven’t achieved it and how to change things in my life to make it happen.

I wanted to do something to symbolically signal not only to myself but everyone else that this was a change. I know it is not a big deal to some but to me my hair has always been a big deal. “I put on a few pounds, at least I have good hair”, “I have a fever blister, at least I have good hair”, “Why did I wear this stupid shirt, at least I have good hair.”, These are the things I would tell myself. When I was in middle school I would carry a collapsible brush in my pocket. Even younger than that my mom would talk me into getting haircuts by telling me I was going to get a “Ponch haircut”. Ponch was my favorite TV character from CHiPs. So as far back as I remember my hair has been important to me.

I am by no means saying my hair is the best but I like it. I’m also not saying that it may be a huge deal from the outside looking in, it’s just hair and it will grow. Everything in life is relative and I understand that. I have buzzed my hair before but it was always for something specific, like charity, or even a Halloween costume and I could explain my reasoning. This time the only way I could explain shaving my head in the middle of winter was that I needed to do something drastic. I knew I would regret it once it was done but that was part of the growth I guess in a strange way.

I felt this called for a new headshot of sorts. My good friend and photographer Danny Alexander had posted an image of a new lighting setup he was working on. If you are a Star Wars fan the lighting may look familiar. It looked amazing and I thought it would be a great way to capture this look I had in my head. I asked if he would be interested in taking my new headshot. I was excited when he said he would because I knew it would make me looker cooler than I actually am. Being a makeup artist I knew I had to do some kind of a makeup on myself. I landed on this idea because to me it signified breaking free of the darkness and trying to let your true colors show.

1.jpg

I don’t like change but change is the only certainty in life so you better get use it. Change is scary but it has to happen and whether you like it or not it’s going to. If things are stagnant sometimes you need to do something drastic in order to jump start your change. You have to be able to adapt and keep moving. Change is nothing more than growth.

Ghouble Gum

In this industry making good connections is so important and more often than not leads to other opportunities. I did makeup on a fashion photo shoot with an amazing team a while back in Louisville, ky. Like me, our model Melanie Smith is a makeup artist in a haunted attraction. Her makeup manager at her haunt is none other than Aryn Fox from Skin Wars. I was happy to just be doing beauty makeup on Melanie because I don’t feel my body paint is anywhere near as good as Aryn’s work. Granted her style of body paint is just a different style than mine. She is definitely an artist I look up to though.

Towards the end of the shoot Melanie told me about this Gallery Hop that was happening in Lexington, Ky. Three O Studio was doing a nude photography exhibit and wanted to do something a little different to bring people in. They thought a live body painting would go well with the photos they were displaying. Melanie asked if I would be interested in doing the body paint. I don’t know if she waited until meeting me and working with me to ask and see if we got along first or it had just slipped her mind up to that point. I wouldn’t blame her for either. Her having worked with an amazing talent like Aryn Fox was definitely intimidating. With that said painting for a live audience was intriguing.

“I’ve been a body paint model numerous times, and most of them have been live paints. So walking into the studio, knowing that people would be stairing at me during the entire process, was just like another day at work for me. I had also worked with Matt before so I knew we would have a blast.” -Melanie Smith

Photo By Jim Calabrese

Photo By Jim Calabrese

After talking to Bill Cole the organizer I accepted the job. Other than doing the body paint live there was a huge catch. We wanted photographers in attendance to be able to have some time to shoot the final piece. In doing so I would only have about two and a half hours to complete the body paint live all the while people talking to me and asking me questions. I like a good challenge but I felt I had bit off a bit more than I could chew. I have felt that way before though and I have yet to not have it turn out well.

I was given free reign to paint whatever subject matter I pleased. Being given creative freedom was another reason I was interested in this job. I decided I would go with something abstract. It would be simple yet dynamic. With it being abstract no one would be able to see if anything was wrong because there would be no frame of reference.  Not to mention if I screwed up at all I could work it into the finished work. Plus I love doing more abstract type work so I saw it as a win win.

Two days before the event I was sitting on my couch and I just started flipping through a coffee table book I have “Goth-Icky”. It’s a picture book filled with retro pop art Halloween designs by Charles S. Anderson Design Company. If you are a fan of Halloween I highly recommend it. Looking through the art work in the book it struck me. My model Melanie and I both love Halloween and doing something in that theme would be really cool. When I was painting more canvas I did a lot of cell shaded type pop art zombies and monsters so I was excited.

Since it was so late when the pop Halloween idea struck me I slept on it. The next day I starting sketching it out with a yellow high lighter and then refined the sketches with black marker. I would then run the sketches through a copy machine which would not copy the highlighter and leave me with just the black. I just kept doing that process until I got it right. Given the subject matter I knew people would expect more Halloween horror type colors like oranges, reds, purples, blacks and greys. I love all those colors and they were all my first instinct as well so that is exactly why I didn’t want to do it. I chose a kind of bubble gum and cotton candy color scheme using pinks and blues.

Pinks and blues aren’t typically a pallet I work with so I was hoping it would look cool because I had not sketched it out in full color. I talked it over with Melanie when she showed up to the event and she was totally game.

“I loved the concept Matt had come up with. We both work at different haunted houses and have a general love for all things creepy and Halloween. So when he explained we would be doing a vampire-esque paint I was all for it.” –Melanie Smith

Photo By Dusty Dunaway

Photo By Dusty Dunaway

Melanie is so easy going I think I could have told her I was going to paint her like a farm animal and she would have been game. I didn't want to use a stencil so I took my drawing of the head which was the right size for her body and I poked some holes in it. I poked the holes in the eyes, the teeth and the windows of the castle.  I then placed it on her where I wanted it and painted through the holes on to her giving myself guidelines. Starting with the white and working my way to using the black last was strange in front of a live audience. I knew that the black paint at the end is what was going to pull it all together but the on lookers didn’t know that. It did bother me a little bit when people would show up and leave only seeing the white, blue and pink blobbed on before it really looked like anything. I was very happy with the finished piece and wish the people that left early would have stayed to see it.

 

Photo By Jim Calabrese

Photo By Jim Calabrese

“I love modeling paint because I am able to bring life to someone’s work. These artists spend hours on each paint, so I want to be sure to represent that character or theme to the best of my ability. But what was so cool about this paint was that it was already me. This piece had “me” written all over it: from the colors, to the design, to the crazy wild hair. It was so much fun to bring out that side of myself!” –Melanie Smith

Photo By Dusty Dunaway

Photo By Dusty Dunaway

Photo By Dusty Dunaway

Photo By Dusty Dunaway

 I felt it very much fit my personality andMelanie’s as well. She seemed to really like the final look which is what I was going for. I knew if she was happy with it having worked with great artists before me I knew I had done a good job.

Every opportunity no matter how big or small can lead to your next great thing. Weather that opportunity be creative freedom, money, fulfillment or whatever just keep pushing forward. I’m not saying do things you have no interest in but do things out of your comfort zone that challenge and scare you. If you don’t learn or take something away from every gig you do you’re not paying attention.

Photo By Jim Calabrese

Photo By Jim Calabrese

Coming Clean

This is the third of the makeup challenges that Bethany Hood has given her fellow makeup artist friends. The image this time was picked by designer Gunnar Detherage. Knowing what I know of his style I didn’t expect so many bright, almost neon colors. I have enjoyed these challenges so far so I thought I would give this one a shot. I contacted a model for the shoot and my good friend and photographer Danny Alexander and wheels were set in motion. Now I just needed to settle on an idea. With all of the colors and textures I had a few concepts rolling around in my head.

An hour or so before the makeup application and shoot the model messaged me and after some texts back and forth we determined that she would not be able to make the shoot. The image had to be done by the next day so there was no time to reschedule. There was also no time to find a replacement model. I was scrambling trying to think of what to do. Instead of canceling and I decided to shave my face and chest and do the makeup on myself. I’m no model but that's why it's called a challenge.

I know it is strange for a makeup artist but not only do I not wear makeup but I hate wearing it. I think it goes back to when I was a kid. I had really bad acne and was embarrassed by it. One day I decided to hide it and use some of my mom’s makeup. I covered up all the redness with some of her Covergirl concealer and a powder compact. I didn’t like the way it felt on my skin but I thought it looked better than all of my blemishes. It was like I had discovered a magic trick. This went on for several weeks at least if not much longer. It was over the summer when I started so I didn’t have to worry about the other kids at school.  I thought it was working and no one was noticing.

 I don’t know why I didn’t think the other kids wouldn’t notice when school started because they most definitely did. I denied it until I was blue in the face but after another kid snatched off my baseball hat the makeup ring in the inner band was a dead giveaway. I never fessed up and they knew I was lying. I knew they knew I was lying but I couldn’t come clean. I gradually stepped it down because I didn’t want to be obvious. Eventually I stopped wearing it and soon the kids moved on to something else. I should have come clean and owned it. With that said, kids that age will make up reasons to pick on each other and I didn’t want to give them any more ammunition. I walked on eggshells and probably joined in on picking on others to deflect attention from myself which just made me feel worse.

Three schools, two states and several years later doing a play in high school we had to wear makeup. I was the only guy in the production that had any knowledge of how to apply foundation. I ended up helping all of the other guys in the play and was appreciated for it. When asked how I kind of knew what I was doing I chalked it up to the fact that I took art and painted as well. Part of me knew it was because I wore my mom’s makeup when I was 11 or 12. To a bunch of drama kids me wearing makeup when I was in middle school would have just been another story about how we were all “outsiders” and it would have been expected and embraced. It would have been the perfect opportunity to come clean and bond with my fellow actors but I didn’t. Even as an adult doing makeup I’ve still never shared this story with anyone. This is the first time I have really come clean about it so if you are reading this blog, now you know.

Back to the subject at hand; I explained to Danny how we no longer had a model and I would be doing my own makeup. Danny wasn't phased by the change and didn’t miss a beat. I changed a few things to make it fit my face a bit better. I decided to throw in some contacts and the makeup went from pretty to creepy really quick. I still don’t like wearing makeup but I am happy with the way this one worked out. The most important thing I hope you take away from reading this is just be you. Don’t care what others think and own who you are. Chances are someone is going through something similar and can relate. I know that’s easy for me to say now but had I listened to this advice as a kid maybe I would be a lot further along than I am in a career in makeup. Support your passions and surround yourself with others that support them as well.

Danny Alexander: http://www.dannypa.com/

https://www.crownbrush.com/

https://www.wonderbandsystems.com/

Abstract Makeup Challenge

Right on the heels of the Mandarin Duck makeup challenge from my last blog makeup artist Bethany Hood issued another makeup inspiration challenge. When the image was sent out I was waiting on my oil was being changed. My first response was “No”. Having just done the previous challenge less than a week prior I thought I’d sit this one out. The oil change took forever and I just kept looking at the inspiration image. The more I looked at it the more I loved it and knew I had to do it.

What I saw in the image was a duality of being, living with your demons and the struggle within. Along with the stark color contrast of just black and white. For some reason going from “No” because I didn’t have time, turned into full body paint because I’m a glutton for punishment. I wanted to mimic the shape of the inspiration but instead of hands I wanted bodies. One pose I wanted somber and withdrawn while the other I wanted a primal scream. I knew model Bec E. Bien was the perfect model. I have body painted her before and I know how expressive her face can be and she just went for it. When asked to scream she let it out like a pro. That’s not just a pose she is actually screaming her lungs out and I think it adds to the authenticity. Every scream was followed with a smile and a slight giggle. Also, the amazing Matthew Tyldesley had just done her hair and it was perfect. We wanted it a bit manic so we put some sea salt spray in it and messed it up a bit. I just hope we didn’t mess up Matthew’s work too much.

Working with Danny Alexander is always a treat. I knew what I had in mind and how I saw it laid out. Danny has an amazing way of figuring out what is going on in my convoluted head and interprets it. I didn’t want the makeup edited as it was a challenge but I knew having all three figures on there would be a difficult in the time frame. Danny didn’t shy away from it and just nailed it. The one edit I did ask him to do was the nipples. The only pasties I will use for body paint are “Monster Pasties”. They are pretty amazing. They take paint like skin and are seamless. I didn’t have any and I had no time to order them.  I actually painted over the areola and blended it out. If it weren’t for the shadowed sundial effect of the lights you wouldn’t have seen them. There is only so much makeup can do. I am extremely happy with what we were able to pull off in such a short amount of time.

Mandarin Duck Challenge

As a way to help bring our artistic community together fellow makeup artist Bethany Hood decided to have a challenge. There were no winners and no losers.  This was just be a great way for people to show off their talent and creativity.  Bethany had an outside source pick an image that we would all have to use as inspiration and design our looks around.

The image that was picked was of a Mandarin Duck. They look like you gave a coloring book of ducks and a 64 color box of crayons to a kid and said go to town. The colors are so vivid and beautiful and blocked off. I had no idea what I was going to do. All I could see was the duck. I didn’t want to do feathers or anything birdlike, that much I knew. I struggled with it for a few days. I went back to look at the image of the duck and squinted my eyes really hard to try and take the bird out of the equation.

That seemed to do the trick. I decided to do a very abstract piece using as many different brush strokes and colors as were on the duck. Since I have never liked makeup on myself and the only camera I own is my phone I enlisted the help of some friends. I messaged my friend and great photographer Danny Alexander who I knew would capture the makeup the way I wanted. I then messaged my friend and Model Kaylynn Nyree. I felt her face would be beautiful for this look. While doing the makeup I would step back from time to time to make sure the color balance was right. The main thing I took from the duck was the white around the eyes. I thought that would make for a cool aesthetic. Since it was a makeup challenge the only editing I wanted Danny to do was making the sclera of her eyes black.  I was incredibly happy with how it came out.

Seeing all the makeups from all of the other artists was so cool. Everyone did such an amazing job. It was very interesting to see everyone’s interpretation of the same image. I cannot thank Bethany enough for doing something like this. It was such a cool way to bring a community together while fostering creativity.

Contentment in Captivity

During Antonio's first photography workshop it was already a thought that we may do them quarterly. After the success of that class it cemented that idea. The first class was a "not so basic" lighting and editing class. We wanted to do something different for the next class, something with a little bit of a "wow" factor.

The idea was to do the hair and makeup, shoot the images, pick the images and then edit them together. That's right, edit them together because the next class would be how to create a composite image. Quite a large scale project to do in a class only three hours in length. We knew we had two models and a mannequin dress form. Antonio knew he wanted one of the models head's on the dress form.

Knowing that it would be silly to just throw a head on the mannequin with no story, we decided to meet over tacos and brainstorm.  The first idea was more for an 80's look. I was excited about doing that makeup and thought it could look really cool. However, the more we talked about it the more it didn't make sense with two models and the composite. In a moment of grasping at straws, I, having worked at a haunted house, blurted out "We could just have one model sewing the other model's head on to the mannequin's torso."

With that, Antonio's eyes lit up. HIs mind is just as twisted as mine and he suggested adding a pigs heart attached with wires to a car battery and the macabre list went on. Needles to say, we scaled back a bit. This completely changed the makeup look that would be needed for the workshop. Joey piped in to say "And Matt can do the severed head makeup." When I rattled off the idea that wasn't something that even crossed my mind. Now I would be doing not one, but two, beauty makeups and a severed head. Oh, and to prove that I am a glutton for punishment, I then suggested adding an eye patch and scar on the model that would be doing the sewing. Managing the makeup and spfx staff for the Devil's Attic haunted house for two years definitely helped in my ability for that amount of makeup application to be completed in such a short amount of time. 

We could have stuck with the 80's makeup but we took a different a route that just seemed to make more sense. We wanted it to have a Frankenstein/Addams Family/Nightmare Before Christmas kinda of feel. Our hair stylist, Michelle, said she was going to make a bride of Frankenstein inspired wig for Katya (our head model). We then brought in Francis Lewis to make a dress for our other model, Alexis, in the style of Wednesday Addams. Knowing we couldn't go with a stock eye patch, I embellished one with hot glue, cut up plastic plates, a plastic skull and black spray paint.

The class went off without a hitch. We had such an amazing team from top to bottom. it was amazing to see it all come together and to work seamlessly in such a short amount of time. Three hours is not a lot of time to accomplish something of this scale. Normally that's how long the hair and makeup alone would have taken for something of this caliber I am super proud of what we accomplished and created, I can't wait for the next one!

Photo: Antonio PantojaAntonio Pantoja - Photography and Cinematography
Makeup/SFX: Matt GoodlettMatt Goodlett, MUA
Hair: Michelle Villareal
Stylist: Frances Lewis
Model: Katya Estes
Model: Alexis Gibson
Hand model: Rachel White
Lighting: Joey Goldsmith
Behind The Scenes: Gary BarraganGary Barragan Photography
Behind The Scenes: Misha Kidwell
Assistant: Justin Sinkler

Special thank you to my sponsors:

Tyler green with Wonderband Systems https://www.wonderbandsystems.com/ - The Wonderband made makeup application so much more efficient. Plus it just looks cool.

Crown Brush https://www.crownbrush.com/ - I can't say enough about this amazing company. They are awesome and their brushes are all I will use now.

European Body Art http://www.europeanbodyart.com/ - By far my favorite makeup for body paint and special effects. Such an amazing product.

Moo. https://www.moo.com/us/ -The only business cards I will carry. The quality is amazing as is the customer service.