Spider-Woman

This past February my buddy Katya Estes and I went to an art and fashion show. She is a model but neither of us were there to work the show. We were there just to have a good time and a good time we had. The drinks were overpriced but our tickets were free so we felt that offset our cost enough to get a decent buzz. The trouble is that Katya is an amazing model and when one of the designers found out she was there they wanted her to walk in the show. Mind you this was after both of us already had several drinks. The other problem was all of the makeup artists were all done doing makeup and wanted to enjoy the show themselves. A makeup artist by the name of Kayla Maxey let me work out of her kit. At the time the makeup looked good to me but I was more than a few drinks in. Looking at the photos the next day I was a bit embarrassed. Luckily Katya can make anything look good.

There are very few people I would let work out of my makeup kit, especially unsupervised so I was very appreciative to Kayla and we have kept in touch. It turns out Kayla is also a model. After seeing some of her work I asked if she would ever be interested in body paint. It’s always a strange question to ask someone but she seemed to be excited about the idea. All I had to do then was figure out what to paint. I really enjoyed doing my Spider-Gwen, and Venom body paints so sticking to the Spider-Verse seemed the way to go.

Spider-Gwen:

Photo: Alexandra Lee Brumley

Model: Melanie Smith

Wig: Matthew Tyldsley

Venom:

Photo: Danny Alexander

Model: Rebecca Rhodes

I knew I didn’t want to do the traditional Spider-Man suit or and of it's derivatives. Spider-Girl's suit is way to similar to the red and blue webbed Peter Parker Spidey suit. Turns out there are a lot of characters in the Spider-Verse but the one I kept going back to was Spider-Woman. Her suit is bold in color with its Red and Yellow/Gold color scheme. The over all design however was a bit simplistic which is why I couldn’t settle on it. The comic book design just looked too easy and flat which felt pointless to do as a body paint. It looks good in the comics but as a body paint it did nothing for me.

Then it struck me how Miguel Mercado ( @merkymerx on Instagram ) did the Spider-Gwen suit design I ended up painting. He is amazing and I love his work and how he reimagines the characters. Not to mention he’s just an amazing artist. If Norman Rockwell painted comic book characters they would look like Miguel Mercado’s work. After looking through his work I didn’t see a Spider-Woman suit. I sent him a message asking if maybe I over looked it. He sent me a design that I hadn’t seen anywhere else and it was badass! I showed it to Kayla and she agreed.

Miguel Mercado’s Design

In the original design she wears a mask that only covers her eyes and forehead. The mask has the traditional Spider suit eyes with the addition of a triangle in between them. Miguel’s design had her in Aviator Goggles which made sense seeing as how she’s not a webslinger. She actually has flaps under her arms she uses to glide or fly. I looked all over for goggles to see if there was a way I could modify them. Everything I was finding looked a bit too steam punk. I decided I would paint the triangle on her forehead and do a beauty makeup on her eyes that brought in colors of the suit.

As I said before Spider-Woman has underarm flaps. I tried to think of ways to do it but they would only look good with her arms outstretched otherwise I couldn’t think of a way to not make it not look sloppy in other poses. Instead of painting the yellow portions of the suit yellow I decided to go with a very yellow gold to stay away from the green undertones of most gold but also not use rose gold which wouldn’t contrast as strongly against the red. I was then able to high light and low light the gold to make it look raised a bit.

There were a lot of linear panels on the suit which were fun to work out in different shades of red. I then went in and added some high lights to give the high points a bit of a shine. No super suit would be complete without some texturing either. Using my favorite hexagon stencil I popped in some mesh texturing. When I finished the body paint I gave Kayla’s body a light dusting of gold shimmer powder to bring it all together. Miguel’s design even had some pink trim to really make things pop. Given the symmetry super suits have they are always fun to paint and look great if you can get it right. I was really happy with how this one turned out. Danny Alexander did an amazing job as usual capturing the body paint just right. As I said before, Spider-Woman doesn’t shoot webs but she actually shoots these green blasts from her hands which Danny actually added in post. Danny always makes me look good and I couldn’t be happier with how they came out!

Spider-Gwen

Sometimes things do not go as planned and you have to play the hand that you are dealt. Months ago I took a meeting with a promoter of sorts. They wanted me to do a makeup exhibition showcasing makeup and body paints by me as part of a bigger convention. I was excited about the venue and the idea but scared at the same time. I was expecting them to want me to curate a show of like-minded artists which I suggested but they only wanted me. The fear was if it wasn’t good it would all be on me, but that was also kind of the fun part. I was going to have to fill a 30 minute runway show with only makeups and body paints by me. It was going to be a lot of work but I thought with the abstract style I sometimes like to work in I could make it work. I was going to call it the “Corvin Arts” which is a surname based on the Latin word Corvus meaning Raven if that gives you an idea of the feel I was going for.

I don’t like to waste time on these things so I started planning immediately. I cast all of my models and even a stage manager. I wanted a very dark vibe so I was working with a DJ to put music together that would fit the feel I was going for. I even planned on doing a very quick, choreographed and abstract 10 minute body paint as part of the runway show. It was all coming together. I contacted the promoter about advertising for the show since there was a month to go before the event only to find out the date and venue were changing. Not only did the possible dates they were looking at not work for me but things were just to up in the air for me to stay the course. I wished them luck and I pulled out of doing the show. If things were going to go bad I didn’t want my name attached or string along the amazing team I had put together.

Needless to say I was bummed. I messaged my team and told them the show was off. Not only was I embarrassed but I was upset that this vision I had built up in my head may never see the light of day. Luckily they all understood. One of my body paint models, Melanie Smith messaged me outside of our group chat. She knew I was bummed out and had seen on Instagram that I had wanted to do some more super hero type body paints. Comic book character body paints couldn’t have been further from what I was planning for Corvin Arts but still something I wanted to do. The first time I worked with Mel was on a fashion photo-shoot about a year ago and she had mentioned wanting to do a Spider-Man body paint at that time. When I asked her this time what super hero she was thinking of she said “Spider-Gwen”. I honestly had no idea who that character was but upon looking it up I loved the color scheme. Spider-Gwen is the alter ego of Gwen Stacy in an alternate universe where she is bitten by the radioactive spider and not Peter Parker. I had actually done a “bubble gum Vampire/Ghoul” themed body paint on Mel before in close to the same color scheme and even used spider webs.

Photo by Dusty Dunaway

We decided to do it on the same date the Corvin Arts show was scheduled. I was excited and I started planning right away. I thought how cool would it be to if I had Alexandra Lee ( https://www.alexandraleestudios.com/ ), the best cosplay photographer around to photograph this body paint. I had wanted to work with Alex for a while so when she said yes I knew we had to make this big. Even though my show was canceled I thought we could make this an event of its own. I decided to stop into the Destination Comics ( http://www.destinationcomics.com/ ). They have a really nice sized room in the back that they use for gaming that I thought would be perfect for painting. When I mentioned the idea to the owner Brian he jumped all over it having seen my Venom body paint with Rebecca Rhodes as the model and Danny Alexander as the photographer ( http://mattgoodlettmakeup.com/blog/2018/5/25/venomiss ). Going from painting such at dark “Spider-Verse” character such as venom to some something as bright as Spider-Gwen was exciting.

Photo by Danny Alexander

Mel has short brown hair and I knew we would need a wig. I contacted my hair stylist friend and the best wig guy I know Matthew Tyldsley to see if he had something that would work. Mel and Gwen both have blue eyes but I wanted it to be over the top blue like in the comics. Primal ( https://us.primalcontactlenses.com/ ) makes these great blue lenses called “Captain Superhero” that I knew would be perfect which they agreed to send me. While I was at it I thought I’d push my luck  and see if my friends at EBA Performance Makeup ( http://www.europeanbodyart.com/professional-makeup/ ) would be interested in being part of this. They offered to send me some paints and with that I was set.

I started looking around and I was finding different suit designs. They all had spider webbing but none had a spider on them which was kind of a letdown. Don’t get me wrong, there is no spider on her suit in the comics but it just looked a little simple for a body paint. I was lucky enough to come across a design that was drawn by an artist that never appeared in the comics. Miguel Mercado ( IG: @merkymerx ) had done this awesome suit design that included a spider spanning the whole chest and back. Miguel does a lot of really cool alternate superhero designs that add a different element but still stay true to the character. His Spider-Gwen design was way more dynamic looking than any of the designs I had seen. I understood it wasn’t cannon but it looked cool. In his drawing you could tell by the face he had designed this look for Emma Stone’s Gwen Stacy character from the Andrew Garfield Spider-Man movie. Matthew Tyldley even cut and styled the wig in accordance with Miguel’s sketch.

Miguel Mercado’s Design

I started by doing a fairly simple beauty makeup on Mel. I put white in her waterline to not only to give it a more open look but it would complement the blue contacts and make them pop. Before I started the body paint I airbrushed a tan color in alcohol based makeup to cover her tattoos. I knew I would have a hard time covering her tattoos with just white paint, and the water based makeup wouldn’t be able to wipe away alcohol based paint. I had done a Venom body paint as seen above and the spider across the chest on Miguel’s design had some similar forms. That said there was an extra color to consider which doesn’t sound like a big deal but for my sleep deprived brain it turned out to be. I also wasn’t going to paint the hood which also changed a few things. Instead of their being white above the spider like in the drawing I would bring the purple on the neck down onto the chest to the top of the spider since the hood wasn’t there to break up the white to the neck. Black is always the last color I paint because it will cover anything. I wanted to start with the white so I was essentially painting the spider in reverse. For whatever reason painting the negative space spider in white while conforming it to her body and matching it up with the one on the back which was a different spider design altogether confused me more than it should have. Several times I had to wipe things away and re-sketch things. Once I got the white placed it was fairly smooth sailing, not to say it wasn’t time consuming. The purple got an overlay of fluoro pink airbrush paint with a hexagon stencil to give it that super suit texture. Then on top of that went the blue webbing. Each color got a different stencil overlay to create different fabric textures.

With all of the little details it took longer than I expected but I couldn’t be happier with how it turned out. In Mel’s words, “This body paint was an incredible experience to say the least! I was thrilled that Matt wanted to do Spider-Gwen, as I’m a huge Spider-Verse nerd. That and his superheroe work is incredible, so I knew the paint would turn out perfectly. The whole day was just a fun setting, chatting about comics and superheroes. The body paint was stunning and we had the best photographer for the images. I’m always sad to wash off the body paint after modeling them, but this one was especially hard. Matt captured Spider-Gwen perfectly and I think our rendition of her was spot on. It was a blast bringing her character off the pages of comic books and into real life.”

Photo By Alexandra Lee

Alex again proved that she is the best cosplay photographer in the region. Mel was the perfect Spider-Gwen and Matthew Tyldley matched the wig perfectly. We could not have had a better team for this photo-shoot. I can’t thank the guys at Destination Comics enough for hosting our craziness. We are in talks about doing another comic book character body paint at their shop and I can’t wait! Until then I hope you all enjoy this body paint as much as we do.

Photo By Alexandra Lee

Venomiss

As a kid I was always a big Spider-Man fan. When Spider-Man switched to the black suit I didn’t know why because I hadn’t read Secret Wars. I liked comic books but I never really read them in order. I just knew I thought it looked cool and I was not happy when he had to get rid of it. As it turned out the black suit was an alien symbiote that would take over its host. That being said it gave birth to a whole new character. Venom was pretty much a huge hulking evil Spider-Man whose Alter Ego Eddie Brock hated Peter Parker and Spider-Man. The stories where they were fighting with each other were some of my favorites. I really enjoyed when they teamed up together to fight Carnage which was an even more evil version of Venom.

Marvel Comics

My friend Rebecca and I went to see Infinity War together for my second time and we were excited to see a Venom trailer. Having body painted Rebecca before she commented that Venom would be cool to paint. She was right but I had seen it done so many times before. I feel like it’s almost a rite of passage as a body painter having admired the body paints years before I even thought about body painting. I have seen some really good Venom body paints and some really bad ones. I think my main concern with doing the body paint was landing in the second category. I never shy away from a challenge so I started planning.

Rebecca said, “I have always loved spider-man. From a very young age I thought Toby Maguire was the end all be all and wished I could be in Mary Jane’s shoes. However, Venom has always been one of my favorite Marvel villains. The visual of the symbiote covering Eddie Brock’s body is harrowing and terrifying but it was so cool I couldn’t not watch it every time I saw it. So when Matt and I went to see Infinity War and we saw the preview for the new Venom movie it was like a part of my childhood was coming to the forefront again. I turned to Matt and said “I wanna do that. Lets body paint Venom.” He agreed and I was pumped.” 

Marvel Comics

First thing I did was ask Danny Alexander if he would be willing to photograph it. Lucky for me he is a nerd too and I think was excited to shoot a Venom body paint. With the team in place I started planning in my head. Venom is a pretty well-known character so I wanted to stay true to the original design. I knew with all of Rebecca’s thick hair I didn’t want to mess with a bald cap. I thought we could go for a concept where the Venom symbiote was taking over. Doing this I could leave areas of open skin and add more detailing and interest as the black paint appeared to stretched across bare skin.

Rebecca showed up early the morning of the photo-shoot so that we could get started. I had gotten some Monster Pasties for her to wear to give the black a really smooth super suit look. Monster Pasties are great because not only are they made for body paint but they go on very easy. Rebecca was in the bathroom for way longer than it takes to apply the pasties. When I went to check on her I could see the panic in her face. The way you apply the Monster Pasties is kind of like a temporary tattoo. You peel off the plastic, place the center of the pasty over the nipple while pressing firmly making sure all of the edges are down while dabbing a damp wash cloth to release the pasty from the paper. Just like a temporary tattoo if you try to apply it without removing the plastic, you ruin it. Unfortunately this is what Rebecca had done. Knowing we didn’t have a backup pair we just sat there saying curse words under our breath until she just said we would have to go without. Knowing that Danny was coming and the only other option was to cancel we decided to move forward and start painting.

Rebecca said, “The day finally came and I pulled myself out of bed at 8:30 on a Sunday morning in order to get painting in time for some events both Matt and I had later on in the day. Once I got to Matt’s place I got ready and prepped for the paint and one of the main steps in prepping for body paint is putting on the pasties. However, me not being fully awake yet I managed to royally screw up one of the pasties. I felt awful and I knew there was no way I could postpone the makeup and shoot because all of us were just too excited. So I got over myself and went fully topless.” 

Behind the Scenes Selfie

I knew I just had to position everything so that black paint ended up over her nipples which would make them easier for Danny to edit out in post. The first thing I started painting was the gapping mouth Venom is known for. Not only did I know that would be the most difficult part but I knew it would be the center piece as it goes from just under her nose down to her chest with the tongue snaking around her shoulder. Once the mouth was done sans the black I started making out where the open skin sections would be which would let me know how much of the white spider on the chest was needed. I then airbrushed in a brown drop shadow where the black paint/symbiote would meet the skin. Positioning the legs of the spider was easier than expected. It made sense to keep them on the breast for fear of losing the proper shape and flow if I went below the breast. I placed Venom’s eye around Rebecca’s eye instead of over it. No matter how much paint I used Rebecca’s dark eyelash would have still be been visible in Venom’s solid white eye, while painting black over her eye would make it pretty much disappear.

Once I got all the white painted on the black was smooth sailing. After doing a couple layers of black for a good overall coverage I started to streak the black over the bare skin to make it look like the symbiote was trying to close the holes over the bare skin. Except for the drop shadow I had hand painted everything up until this point. I broke out my airbrush to do some highlights and low lights. I wanted to add some stretching over the bare skin parts and detailed the edges. Using grey, white, and light blue airbrush paint I went in and highlighted and detailed to give the solid black areas a little more depth. I also airbrushed some black to get rid of the harsh line where the tongue disappeared into the throat.

Rebecca said, “3 hours later I was painted and Danny arrived and we started shooting. The paint looked so amazing and I felt like such a bad-ass all thanks to Matt and Danny”

The way Danny lit the photos really brought everything to life. Danny also brought an apple box. I didn’t know what he had in mind for it but I was still painting when he showed up so I didn’t question it. When he felt we had a good static shot of the body paint we moved to the apple box. He had Rebecca crouch on the box so he could shoot from slightly below her. Posing for body paint is vulnerable enough so I give props to Rebecca because without hesitation she was able to nail the pose which I knew couldn’t have been comfortable in only a thong. Danny wanted an image he could composite to make it look like she was perched on a rooftop. When I saw the image for the first time it looked like to was ripped from the pages of the comic book

Rebecca and I with Poe the Kitten

Rebecca said, “I don’t consider myself a model but this has got to be my favorite shoot I’ve ever done. I truly appreciate Matt and all his hard work and I thank Danny Alexander so much for helping us create such a cool concept. He also did wonders with helping me to pose and show off the paint in the best way possible. I’m extremely grateful to be a part of this team and I can’t wait to do more body paint modeling in the future.” 

Like I said before, I have seen Venom body paints done so many times before. I am not going to say the one I did is one of the best, not by a long shot. That said I am very happy with the paint I was able to do. Danny and Rebecca really made me look like I knew what I was doing. When it comes to body paints I definitely like creating my own thing and doing something that no one has seen before. That said this is my third comic book character body paint and I really love bringing these heroes and villains to life.