Derby Daze

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I could really break this up into two blogs but with it being all Kentucky Derby related I have decided to keep it all in one. Derby for me always starts months prior to the actual event. There is planning to be done and schedules to be made and this year was no different. The Haunted House where I work and I had an event to run and do media for and I had two parties I was scheduled to do makeup/body art for. Now that I think about it I was only scheduled for one party but I will get to that.

The haunted house where I manage makeup, the Devil’s Attic (www.thedevilsattic.com) also runs the Louisville Zombie Walk which is the biggest Zombie Walk of its kind with over 45,000 participants last year. This past fall our Haunt owner Jason told me about an opportunity that had been offered to us by one of the biggest festival’s in Kentucky. The Kentucky Derby is cool and all but it’s really all about the Kentucky Derby Festival (KDF) which goes on for about two weeks leading up to the horse race itself. The KDF wanted us to bring what we do for the Louisville Zombie Walk to their festival. What we came up with was the Derby of the Dead.

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For Derby of the Dead I would be making 4 zombies. Two zombies would be for a local news stations, and the other 2 zombies would be for the day of the event. One of those zombies would be to work the crowd and the other one for a live demo. My team (Team Demon Fabulous) would also be making crowd walking zombies. Lucky for me EBA Performance Makeup (  https://www.europeanbodyart.com ) and Woochie FX ( https://www.woochie.com/ ) supplied me with makeup and prosthetics to make these zombies real show stoppers. I love EBA’s makeup but I had never actually applied a prosthetic before and the first time I would be doing it would be for a live news broadcast.

Some of the Prosthetics from Woochie

Some of the Prosthetics from Woochie

The first zombie I did for the news was on Morgan Dayton. Even though her segment was for Friday which was the day of the event it would be recorded the same day as or live segment which was the preceding Wednesday. On Morgan I didn’t use any prosthetics. I just did what I call a “Standard Paint Zombie” and played with some marbling techniques and layering. I was very happy with the way she turned out.

Morgan Dayton in Zombie makeup by me

Morgan Dayton in Zombie makeup by me

Rebecca Rhodes was going to be my Zombie for the live broadcast so I had her show up a little bit before Morgan at 7:30am. Having never applied a prosthetic I wanted to make sure I gave myself enough time. I laid on some pros-aide cream adhesive where the prosthetic would lay. While that set up I put some more of the adhesive on the back side of the prosthetic. This prosthetic was a half face, covering only the ocular sockets the cheeks, bridge of the nose and the forehead so it was pretty easy to place. Once it was in place I painted a layer of Pros-Aide on top of that to seal it before I powdered and painted it. Foam latex prosthetics are very sponge like and if you don’t seal them they just suck up all of your paint. Once you seal it with the pros-aide you have to powder it to keep it from being sticky. I base painted it with a mauve color to neutralize the yellows in the prosthetic before I painted it using the same color scheme I used on Morgan. For it being my first prosthetic application I was pretty pleased.

Rebecca Rhodes in Zombie makeup by me

Rebecca Rhodes in Zombie makeup by me

This is the live broadcast from WHAS Great Day Live! https://www.whas11.com/mobile/video/features/great-day-live/derby-of-the-dead-on-great-day-live/417-8107460

The day of the event I had distressed a jockey costume for our actor Jeff Howell who would be my “hero” zombie walking around the crowd. I would be applying the full face stage 3 zombie prosthetic from Woochie. Jeff was excited as he always is to be a zombie but I was concerned. Having only applied one facial prosthetic before this would be no small task. I could already tell it was too big for his face. I placed the prosthetic and secured the nose in place first and then worked from the top down making sure all my edges were good and seamless. After smoothing the prosthetic top to bottom there was a lot of slack left under the chin and neck area. I tried folding it over to make it look like wrinkled hanging flesh but it wouldn’t hold. I ended up having to cut a dart/triangle out of the part that wouldn’t hold and pulled it together. I then made a bridge with latex and deli paper. Once it was bridged I added some latex and cotton to give it some texture and then sealed it all. Painting the Woochie prosthetic with the EBA Performance makeup was probably my favorite part. The sculpt was great but before it gets paint it just looks lifeless, pardon the pun. I loved breathing life into it and was very happy with it. I named the character Pat Day of the Dead after the famous jockey Pat Day.

Photo of Jeff Howell as Pat Day of the Dead by Tate Chmielewski

Photo of Jeff Howell as Pat Day of the Dead by Tate Chmielewski

From there we packed up all of our gear and headed to the event. I was lucky that Tabby Sharp of youtube fame (https://www.youtube.com/user/tabs24x7Official ) agreed to be my subject for my demo makeup. She is so much fun and great to work with. After the issue with Jeff’s prosthetic I was worried the one for Tabby wouldn’t fit either as she is very tiny standing at 4’10. I placed it on her face and it looked like it may overlap just a bit on the sides but not enough to be incredibly noticeable with her hair down. The demo was taking place outside at the waterfront (Ohio River). As you can imagine airbrushing in high wind on a raised stage is not ideal. I had to wait for the wind to die down at times to try and paint otherwise none of the airbrush makeup would make it to her face.

In the process with Tabby Sharp and myself

In the process with Tabby Sharp and myself

I was also working against a time constraint. Due to scheduling conflicts I went from having an hour which was already pushing it down to 45 minutes. With Tabby’s bright pink hair and the colorful onsie she was wearing she looked like a piece of chewed up bubble gum when I based her in the pinkish mauve color. Once I was able to get my color scheme from EBA on her it all came together. With Tabby’s diminutive size it added an extra element of creepiness to the makeup.

Photo of Tabby Sharp by Tate Chmielewski

Photo of Tabby Sharp by Tate Chmielewski

Photo of Jeff and Tabby by Tate Chmielewski

Photo of Jeff and Tabby by Tate Chmielewski

 I have been lucky enough in years past to book gigs for derby parties. About 2 months before the Derby I met with Josh Meredith of the Original Makers Club (OMC). The OMC was going to throw a huge Derby Eve bash at 21c which is an amazing art gallery and boutique hotel. I have worked there in the past and it is an fantastic venue and I was excited to work with Josh for the first time. I had done a makeup on my friend Katye Estes with a lot of geometric shapes which caught Josh’s eye and prompted him to reach out to me.

Sponsored by BMW and Woodford Reserve 

Sponsored by BMW and Woodford Reserve 

The inspiration for the party was based off the recent Gucci designs featuring a king snake and bright pink flowers. I knew straight away I was not going to paint a snake, at least not in any way that would be expected. I had looked up a bunch on snake body paints. I wasn’t looking for ways to do it but rather for what not to do especially since we wanted a more "Art Basel" feel. The body paints I found in my research went from more character based body paints to just painting on a full coiled up snake. What I came up with was using the king snake’s pattern as a sash. On the lower half of the snake sash I would do the pink flower’s emerging from underneath. On the upper half I would give Josh the geometric style which prompted him to call me in the first place. I liked the idea of the top being very structured and the bottom being more organic.

Rough sketch of body paints

Rough sketch of body paints

Upon entering 21c to start the body paints for the party I realized I had forgotten my air compressor for my airbrush. Fellow makeup artist and good friend Rebecca Rhodes was going to be my date for the party so I called her up right away. Rebecca was also my zombie for the above news spot. I asked her if she could be there a couple hours early and bring her compressor so that I could do the finishing touches with airbrush. I got to use 2 of my favorite models again for another doubles body paint. I had painted Karoline Hix and Mallory Mims as jockeys last year  for a different party in the same venue which you can see on my body paint page. With this year’s body paint I started on the pink flowers first. As I was getting the flowers worked out Josh excitedly came in and wanted me to come take a look at how the party was coming together. When I was done with the flowers I popped out to check the event space. The main bar was covered in the King Snake pattern and there was a huge King Snake,… well,... snaking down the railing of the stairs. The décor had a very leathery almost snakeskin kind of feel to it. Luckily I had not started painting the snakes on the models because they had replaced the cream colored stripe of the king snake with gold.

Photo by Morgan Worley

Photo by Morgan Worley

Photo by Morgan Worley

Photo by Morgan Worley

Having seen the event space changed my color scheme. I of course changed the cream in the snake pattern to gold. The geometric shapes were originally supposed to be pink, red, and black. I changed out the pink for gold which gave the paint a more dynamic look. There were more than a few things that didn’t go my way on this paint and I was running out of time. I am a bit of a control freak and I never like to ask for help. I knew I didn’t want to sacrifice quality for speed. I was coming down to the wire and I am just glad I had a makeup artist there I could trust. I gave Rebecca the color scheme and asked if she would be able to knock out a few beauty looks and she stepped up in a big way.

Mallory Mims and Karoline Hix, Photo by Morgan Worley

Mallory Mims and Karoline Hix, Photo by Morgan Worley

Me with Mallory and Karoline, Photo by Morgan Worley

Me with Mallory and Karoline, Photo by Morgan Worley

Once the models walked into the party I got Rebecca and I some drinks. It’s always really cool to see people’s reactions to the body paints. They are always surprised that the models are only wearing a thong. That or they just don’t even realize they are nude and think it’s a skin suit. The geometric shapes I had painted revealed some bare skin which made it a little bit more apparent. The models and body paints seemed to be a hit at the party and Rebecca and I were able to relax and enjoy the festivities.

Photo of Rebecca Rhodes and I by Jose Aponte of the Voice Tribune

Photo of Rebecca Rhodes and I by Jose Aponte of the Voice Tribune

Everything had been months in the planning stages. That said the Monday before Derby I got a call from my friend Mike Brady from King Sixteen. I have worked with Mike and King Sixteen in the past and have always enjoyed it. They were doing a Derby party at Rabbit Hole Distillery. Mike has amazing ideas and always wants to have a wow factor. I am lucky enough that he calls on me to be a part of that.

Sponsored by Porche and Rabbit Hole

Sponsored by Porche and Rabbit Hole

I had sent Mike an image of a woman in a bathing suit made of reflective material that looked a bit like a stylized golden shattered mirror. When Mike asked if I could do something similar with 4 days until the event I quickly went out to try and find the materials I needed to accomplish the look. I knew I couldn’t get it exact because not only had the image I sent been edited heavily but the model didn’t need to move around in the material. She just had to pose for a photo, and could be reset in between shots. Ideally some sort of plastic formed to their bodies would have been perfect. It wasn't really in the budget and we definitely didn't have time for that. I needed something really reflective that was light weight that would flex with the body and wouldn’t crease too badly. I think the material I found was pretty close. Oddly the models that were cast already were Karoline and Mallory who I had worked with the night before with the addition of male model named Darren. I also added a dark smoky eye to all 3 models with some silver accents just to add a bit of sexiness.

Photo of Darren, Karoline and Mallory by Danny Bloom

Photo of Darren, Karoline and Mallory by Danny Bloom

Hunter S. Thompson has been famously over quoted as saying that,  “The Kentucky Derby is Decadent and Depraved,” and he was not wrong. After all the Bourbon and late nights I was ready to give my body and liver a rest. That said, I am already looking forward to next year.


Photo of Darren, Karoline, Mallory and myself by Danny Bloom

Photo of Darren, Karoline, Mallory and myself by Danny Bloom

The Crown Vox Experience

A little over a year ago I got a friend request on Facebook. As I do with all friend requests to weed out spam accounts I messaged them and asked if we had ever met. They told me that they liked my work and that someday they would like to work together.  Her name is Jennifer Burris, also known as Crown Vox which is her stage persona.  I had been contacted by musicians and other performers before and it never really pans out so I didn’t really give it a second thought at first.

I looked through her promotional type photos and they really fit with the aesthetic I like. I then listened to her music and I was blown away. I can’t describe the music other than to say it has a dark ethereal quality to it and fit the imagery perfectly. I knew then I had to do her makeup. With her living so far away I didn’t think it would ever really happen. I maintained communication just in case she came through on tour we could set something up.

When we finally got a chance to work together nearly a year to the day after our first contact she told me about her up coming launch show The Crown Vox Experience. She described it as an all immersive experience with dancers, models, fashion, and artists. It sounded so cool and I really just wanted to see the spectacle. I jokingly asked if she had anyone to do makeup for the event. Not that I thought I would be able to do it anyhow considering the distance. She told me she already had someone which I kind of figured anyhow. We finished up the shoot and hung out and drank bourbon because when you’re in Kentucky that’s what you do.

About a month or so after the shoot, Jennifer asked if she could call me. I was afraid she wanted to talk about not liking the photos from our shoot. I told her I could call her that evening and I was anticipating the worst. Later that evening I called her and she asked if I wanted to come to do the makeup for her launch show; The Crown Vox Experience. I don’t know if I even let her get the full sentence out before I said yes.

I would not only be doing her makeup but the makeup for all six of the models plus a live body paint on a hoop dancer. That’s a lot of makeup to do in one day but I take all challenges. We talked about different looks. Some of the looks were super dramatic with different styles of Blade Runner (Pris) esque makeups. Knowing all of my makeup would have to be able to fit in a carry on luckily we went with a simplified look. We decided on a reddish smoky eye and a more muted lip with contour and gold highlight. I would add gold flake and a darker defined lip to Jennifer’s Crown Vox Look. Jennifer said she would leave the body paint up to me which I was excited about.

I Stripped out my smallest kit and rebuilt it for the show looks so it would fit as a carry on because I didn’t trust checking my makeup. After going through TSA and getting felt up pretty good I was on my way to Memphis, with a stop in Atlanta which is where I ran into an issue. I was flying standby and as it turns out it was the start of Elvis week in Memphis. Needless to say I got bumped. Jennifer’s husband Michael who arranged my travel was afraid if I waited to catch a flight in the morning and I got bumped again I wouldn’t make it in time and we couldn't risk that. There is a lot more to this part of the story but I got a rental car at 11pm and started my six hour drive to Memphis.

After a couple hours of sleep it was time to wake up and get my bearings before starting makeup at noon. I set up a makeup station to get myself ready for what I assumed would be a melee of makeup. People started trickling in to get there makeup done. Knowing I had a ton of work ahead of me Jennifer got an assistant for me for the day named Meredith Shaw. I can be a bit of a control freak and have rarely ever had an assistant. However I knew this would be too much for me to handle on my own and maintain quality work. I had Meredith start applying foundation to the models so I could focus on the eyes, lips, contour and highlight. Having Meredith there proved to be very valuable. She did a great job and I would work with her again.

After I finished up Jennifer’s makeup last I packed up my kit and headed over to the venue. The event was being held at the historic and amazing Clayborn Temple. It was a beautifully interesting place and perfect for the feel of this show. It was ornate but in disrepair in spots which made it that much cooler looking and fitting. I wanted the body paint to tie into Crown Vox and the space so I decided to do a half skull on her face like in the Crown Vox logo. I then wanted some refined gold geometric shaped surrounded by chaos.

Jennifer set me up right in the middle so I would be the first thing people saw when they walked in. The clock struck eight and the doors opened with the opening act Epps Music performing which was amazing and kind of reminded me of Coco Rosie. Ellen Phillips, the hoop dancer I was painting kind gave each other a look as if to say “here we go” as people poured in around us and I continued painting. I was very happy with the way she turned out and I felt it really fit the vibe of the show.

The models were stationed almost as guards around the venue in designs by the amazing Siss Viss and hair done by Laveau hair studio.  The clothing designs fit the feel of the venue and show perfectly and really transported you into another place. Jennifer aka Crown Vox started her performance in the balcony behind and above the audience. With her beautiful voice filling the temple she strolled along to the stage in a beautifully designed dress by Siss Viss with a crown by Louisville Designer Frances Lewis helping set the mood. As she sang the models stood in formation in balconies in eye sight looking over the audience. I haven’t seen a concert like this ever because the Crown Vox Experience was so much more than just a concert.

I am so happy I got to be a part of this. Watching my body paint perform and my makeups add to the overall feel of the experience was amazing and so fulfilling. I guess the main take away from this is just because something doesn’t happen right away doesn’t mean it won’t. If you are patient sometimes things pay off far better than you could have ever expected. I met so many cool people and I really hope to do this again sometime.

Antonio Pantoja's Photography Worksop

Ever since I started doing makeup for photo shoots Antonio Pantoja was someone I strived to work with. He is seriously one of the nicest and hard working photographers in the industry. I have worked with him several times over the past year and am proud to have some of our works together as part of my portfolio. 

On November 21st 2016 being the giving person he is, Antonio decided to do a free photography workshop showing his entire process from makeup to editing and everything in between. I was honored when he asked me to be the makeup artist for the class. I will say, doing makeup in front of a class of over 150 people and having your working blown up on 4 screens around the Kentucky Derby Museum at about 30 feet by 15 feet a pop to be edited for the class was very intimidating.

Being a part of this amazing team was extremely humbling. I have a lot of respect for all of them and am thankful I could share this platform with them. It was very inspirational to be a part of a team that was coming together to teach others. Art shouldn't be about keeping your process secret. Share your knowledge and maybe the people you help can help you someday. We should all be here to grow.

I was lucky enough to have Dillard's at Green Tree Mall in Clarksville IN. sponsor me. They provided me with all Smashbox Cosmetics which performed amazingly. Huge thanks to the team and all of our sponsors listed below:

Photography and headpiece: Antonio Pantoja
Model: Katya Estes
Makeup: Matt Goodlett
Makeup products courtesy of Dillard's: Smashbox Cosmetics
Location: Kentucky Derby Museum 
Hosted by: Misha Squeweebop-Kidwell
Lighting and assistance: Joey Goldsmith
Wardrobe: Frances Lewis
Behind the scenes: Gary Barragan
Backdrop: Savage Universal
Lighting: Paul C. Buff, Inc.
Sponsored by 3 Legged Thing

Katya and I discussing her wig while Antonio is teaching behind me.

Katya and I discussing her wig while Antonio is teaching behind me.

Antonio shooting Katya live for the class.

Antonio shooting Katya live for the class.

Talking to the workshop about my role with Antonio and other photographers on how sometimes you are given free reign to create. Other times you are given guidelines or even told exactly what to do. collaboration and listening is key.

Talking to the workshop about my role with Antonio and other photographers on how sometimes you are given free reign to create. Other times you are given guidelines or even told exactly what to do. collaboration and listening is key.

It was a pleasure sharing the stage with such amazing and talented people.

It was a pleasure sharing the stage with such amazing and talented people.

This image was shot and edited live for the class by Antonio Pantoja

This image was shot and edited live for the class by Antonio Pantoja

Edited by joey Goldsmith

Edited by joey Goldsmith

Louisville Zombie Walk

The Louisville Zombie Attack, now Louisville Zombie Walk (louisvillezombiewalk.com) started in 2005, and without it I don't know if I would have ever found my way to makeup as stated in my "about" page. My first year was back in 2006 when we had maybe 120 people attend. With an estimated 40,000 people in attendance last year the growth of this event is staggering.

This year founder Lyndi Lou has handed over the reigns to the Devil's Attic Haunted Attraction (http://thedevilsattic.com) where I am the Makeup SPFX manager. Having been a coordinator with Lyndi in the past I couldn't be more proud that she has entrusted us with her baby. That's not the only change to the walk this year. instead of the walk always being on the 29th which would be a monday this year we will be holding it on the 27th which is a Saturday. 

My team from the Devil's Attic also known as "Team Demon Fabulous" will be set up at the Highland Taproom doing makeup for the public. I will have more information on pricing and schedule later so stay tuned. For this to come full circle is very exciting for me. Our goal is to remain true to the spirit of the event and make Lyndi Lou proud.

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