Holiday Treats: Team Demon Fabulous Makup Challenge

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"Success is never owned, it is rented and rent is due everyday" -Rory Vaden

 

Our makeup team at the Devil's Attic, (http://thedevilsattic.com) "Team Demon Fabulous" won several awards this past haunt season. That being said I do not want us to rest on a laurels and fall behind on our skills. I read the above quote on some silly Instagram post but it really rang true to me. Makeup challenges are a good way to keep skills up and test our creativity beyond horror based makeups. We have done challenges in the past so I thought it was time to do another. I opened up the challenge to all members of the makeup team, past and present.

 The makeup challenge we came up with was Holiday Treats. No rules other than a due date were handed out which gave everyone over three weeks. Artists could do anything as long as it was inspired by holiday treats in some way. For anyone that has seen or followed my work I don't really ever do bright and cheery things, not even in beauty makeup. At least doing bright and cheery things is not what I am known for. I could have turned the holiday theme on it's ear and made it something dark but I wanted to challenge myself. I wanted my makeup to screamed "Christmas"!

 The idea I came up with was a gingerbread person and peppermint with a day of the dead twist. Adding in some day of the dead elements I thought would live'en it up a bit, pardon the pun. I had to be careful not to go to far into "Day of the Dead" and loose the look of the Holidays. Doing more of a beauty eye and a more circular shape to the nose would keep it from going to far in the direction of a skull. After sketching it out I was able to see how to execute this look.

Rough Sketch of my Makeup

Rough Sketch of my Makeup

(artist portions)

Before I get to my makeup I first want to showcase the amazing makeups of Team Demon Fabulous. Kelsey Eisenhut had been with me since the beginning when I first started on the makeup team. When I took over the makeup team in 2015 she quickly became my right hand.  I was sad to see her leave when she had to move to Indianapolis after the 2016 season. She is still a member of the team and she never shies away from a challenge.

Here is what Kelsey had to say, " When we were issued the challenge of Christmas Treats I was so excited and immediately a thousand ideas started dancing around in my head, not unlike sugar plums.

Often I find that my main problem when designing a makeup is too many ideas, making it hard to create continuity and cohesion in the look. In this particular situation I was able to find a solution that allowed me to use as many different ideas as I wanted because what is more open concept and eclectic than a gingerbread man.

I knew there was a possibility that another artist would pick the same theme so I wanted to make sure I made it my own by bringing in not only makeup but also 3d crafted elements as seen in the gum drop buttons and candy cane bow. I also wanted to make sure I brought in enough different candy elements to make it recognizable without overcrowding the canvas.

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I was lucky enough to find a photographer that was willing to photograph my look, the wonderful David McKenna and the final product is something I hope Santa would be proud of!" Kelsey also used a pair of Primal Colored Contact Lenses in "Lizard King" to make her look pop.

Photo: David McKenna  Model and Makeup: Kelsey Eisenhut  

Photo: David McKenna

Model and Makeup: Kelsey Eisenhut  

Photo: David McKenna  Model and Makeup: Kelsey Eisenhut

Photo: David McKenna

Model and Makeup: Kelsey Eisenhut

Phoebe Conrad was with Team Demon Fabulous for the last two years. She was the youngest person we've ever had on the makeup team and was a great addition. Phoebe was always eager to help out when needed and kept the haunt in healthy snacks. She is leaving us to go to Cinema Makeup School and to live in Los Angeles.

We wish Phoebe all the luck out in California and this is what she had to say about her makeups,  "My 2018 holiday makeup challenge submissions are Crisp Kringle and Reba Ribbon! Inspired by the classic holiday candies Crisp Kringle chocolate bar and hand made ribbon candy. Two of my favourites growing up!

Model: Alicia Carper  Photo and Makeup: Phoebe Conrad  

Model: Alicia Carper

Photo and Makeup: Phoebe Conrad  

Model: Kyle Howell   Photo and Makeup: Phoebe Conrad

Model: Kyle Howell 

Photo and Makeup: Phoebe Conrad

Lauren Bradley was with us for the 2016 season. She was such an asset to the team and we were all upset to see her go. She always added a bit of her own flare to her makeups and her snarkiness always added a nice dry sense of humor to the team dynamic. We were all sad when she left. 

Lauren doesn't usually like to talk about the makeups she does but had this to say, "I’m closing at work and I literally have no time to write why I did what I did in a nice manner but I chose the sugar plum fairy for obvious reasons. My team was fantastic. I made the bodysuit with rhinestones, holographic glitter, and puffy acrylic paints. I got glitter all over Clay and Alex's house and I felt pretty bad about it but they didn’t seem to care. I made the sugar plums with some recipe I found online. They were pretty cute and tasted like apple pie, but unfortunately contained no plums because I didn’t have any and was on a time crunch. They also had edible glitter, so that’s neat I guess. Andrea also let me borrow her bioglitz for the eye makeup and I’m in love. Enjoy."

Photo: Andrea Gabriel   Model: Alex Hepfinger  Makeup and Costuming: Lauren Bradley  

Photo: Andrea Gabriel 

Model: Alex Hepfinger

Makeup and Costuming: Lauren Bradley  

 Photo: Andrea Gabriel   Model: Alex Hepfinger  Makeup and Costuming: Lauren Bradley

 Photo: Andrea Gabriel

Model: Alex Hepfinger

Makeup and Costuming: Lauren Bradley

I have wanted to work with Kesley Moorefield as a photographer for sometime now. I have done her makeup as a model but her beauty photography is some of the best I have seen so I was excited when she agreed to shoot this look. Kesley brought in model Kerragan Fleming for this look. I started off by painting Kerragan's face brown in the shape of a half skull. I then airbrushed in some highlights and lowlights and adding a light dusting of metallic gold airbrush paint to give that golden brown look. After doing the eye makeup I still felt it needed some shimmer so I added a lot of gold and bronze highlighter. I then roughed in some white around the border of the gingerbread to mimic icing then topping it with iridescent highlight to give that sugary look.

Photo: Kesley Moorefield  Model: Kerragan Fleming

Photo: Kesley Moorefield

Model: Kerragan Fleming

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To give the makeup and extra ordinary look I cut out the teeth and peppermints on her cheeks from glitter card stock. The peppermint design on her lower jaw and neck probably took the longest getting the lines all straight measuring it out using my knuckles for spacing. I then hit the white with silver metallic airbrush paint and the red with a metallic lilac to highlight it. EBA Performance makeup (http://www.europeanbodyart.com) makes a ton of really great metallic airbrush paints if you are in the market. I capped off the bottom of the peppermint with a spider web like scoop pattern to subtly bring in the traditional spider webs used in day of the dead designs. The finishing touches were an awesome green wig courtesy of Lauren Bradley and red out X-Ray lenses from Primal Contact Lenses (https://us.primalcontactlenses.com/) to mimic the look of red hot candies and maybe add a slight bit of creepiness. I even added some gold flake for a bit of holiday flare.

Photo: Kesley Moorefield  Model: Kerragan Fleming

Photo: Kesley Moorefield

Model: Kerragan Fleming

I am supper happy with the way my makeup came out and the amazing job Kesley did. Team Demon fabulous also turned in some amazing work and I am super proud of them. Going forward into 2019 I am excited to hopefully keep these challenges going, keeping brushes in our hand and pushing our creativity. I am looking forward to the challenges the 2019 season will bring us and meeting those challenges with this amazing team of artists head on. We don't own our success but we have signed the lease and are ready to make payments!

 

Happy Holidays to All!

Matt Goodlett

SFX Makeup Manager, Team Demon Fabulous

Disney Villains: TDF Challenge

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Once you are on the Team Demon Fabulous makeup team I will always consider you as a member of the team as long as you leave on good terms. My second year as the makeup manager at The Devil’s Attic ( http://thedevilsattic.com ) was when I felt I started to slip into my groove. It was also when I came up with the name Team Demon Fabulous (TDF) for our makeup team. That same year Lauren Bradley joined our team. She came in as more of a beauty makeup artist but I had seen her do some more avant-garde looks which I loved and I knew she would do well. She far exceeded my expectations. She was only with us the 2016 season and we were sad to see her go.

Lauren came to the team with a makeup challenge. The challenge she laid out was that we would all do Disney Villains. There were really no rules other than that. You could do it straight up like the character or let the character inspire you in any way you wanted. This was a challenge issued to all TDF members, old and current. Unfortunately due to busy summer schedules two of our current member could not participate. That said everyone else was in. Portia Greene even came back for this challenge. Portia was hired early spring of 2017. She did makeup for a few events with us and even when we opened up for one night in June for the Mid-West Haunters bus tour. Unfortunately for us she got another full time job and had to leave before our season started. That all said she is still TDF.

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With all the players in place people started to pick their characters so we didn’t have any overlap. Some were picking more obscure characters I had to look up. That said, no one had picked Maleficent from Sleeping Beauty. I have always wanted to do a Maleficent makeup so this was the perfect opportunity.  She kind of embodies the aesthetic I like. I love things that are dark and beautiful and a bit macabre which fit Mal’s look perfectly. Team Demon Fabulous consists of fairly attractive women and then there is me. I figured they were going to be doing makeup on themselves but I knew I could not pull off a Maleficent look, nor did I want to. The first thing I needed was a model. Alex Hepfinger is a model I have used in the past and I knew her face had all the features I needed. Plus she is great to work with and is usually game for my strange ideas.  

The only camera I own is the one on my phone which is a good camera but not for this. Misha Kidwell was awesome enough to offer up his skill and studio to help this Maleficent come to life. Having a great model and photographer I decided it would be good to have an equally awesome hair stylist come in and help. I hadn’t worked with Caleb Yeske in a while but he agreed to come on and do hair. Now with a great team in place I really had to deliver on my end of the deal.

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First up we have Lauren’s look which is only fair since this is her challenge. I am so happy that Lauren wanted to include her haunt family in this challenge. When she first came to the team in 2016 I was worried she wouldn’t get into it. After a really bad injury earlier in the season I was afraid we were going to lose her. Lauren is a perfect example of not judging a book by its cover. She may not look like it but she is a tough badass. That season we had "big bad" male actors dropping like flies for far less injuries yet Lauren never missed a beat. I have never seen the Emperor’s New Groove so I had never heard of Yzma. She ended up doing an Yzma/Kris Jenner hybrid which I thought was hilarious. I had asked everyone to write something about their makeups for this blog and in true Lauren fashion this is what I got, “Hahaha you know I'm not one for sentiment or even offering an explanation for why I do the things I do. It's the element of mystery, confusion, and wtf. Pull the lever, sweetie.”

 

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Kelsey Eisenhut was one of the first members of Team Demon Fabulous and the only member of the team that was on my team for my first year as manager when we were just “The Monster Squad”. She is also one of my best friends. Kelsey unfortunately moved away to Indianapolis the summer of 2017. With the 2 hour commute we unfortunately lost her to distance. She also happened to pick one of the villains I was not familiar with. Madam Medusa from the Rescuers was perfect for her. I will let Kelsey explain her process in her own words, “When we were issued the Disney Challenge I was excited and nervous all at the same time. On the one hand I love Disney and especially Disney Villains as is evidenced by my full leg sleeve. On the other hand I knew I would be performing this makeup on myself and that made me nervous. All issues of vanity that any person deals with aside, a fact I never talk about as a makeup artist is my terrible peripheral vision. I have a very hard time doing a full face on myself due to my inability to fully see out of the corners of my eyes. I have lived with this face for 29 years now and so I do know my face fairly well but it is still an issue for me. With this fact in mind I try to focus on looks focused more in the middle of my face and less on the sides. I have always loved Madame Medusa from The Rescuers and because I am into the obscure thought it was the perfect choice. Knowing my subject and the issues at hand I chose to do a "young" version of Madame Medusa. This would keep me from having to change the shape of my face with excessive contouring which is one of the things I find hard to see with my limited peripheral vision. I knew by going this route I could focus on her iconic makeup, hair, and jewelry keeping the character recognizable while also working around my downfalls.”

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I have always liked the way Portia Greene’s mind works when it comes to her creative makeups. I sought her out for our makeup team nearly a half year in advance before the season even started when I found out Lauren was leaving us. She has a way of adding beauty and horror together which is the aesthetic I like in our haunt makeups. When she picked the Queen of Hearts from Alice In Wonderland I was very curious to see what direction she would go given that she looks nothing like the character. Here Portia explains the inspiration she took, “I took a lot of liberties with my look. I wanted to create a queen turned war general who gives “No Fucks” now.  I used Latin across her face as a war paint saying Cor Comedenti which means Heart Eater. Since Latin is considered a romantic language I thought it was fitting.”

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Last but not least we have Mary Proctor. I love Mary and I am so glad she is on my team. She wasn’t a makeup artist before asked her for the 2016 season. She had such outside the box way of thinking when it came to her weekend burlesque looks I wanted to see what she could do in the makeup room. She is now my second in command and is constantly surprising me with her talent. Mary picked Cruella Deville from 101 Dalmatians. If you know Mary you know this makes sense. If Mary’s not wearing black,  she’s wearing some kind of animal print. I will let Mary explain her look, “I based my look off of 6ix9ine, Post Malone and just sound cloud rappers in general. I believe that humor plays a very important role in art and I try to represent that what I do when I can. I love taking an idea and turning it on it's ear In a funny way.  I learned a lot through this challenge and had a lot of fun too. Can't wait for more so I can keep learning and having fun with my friends” 

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Back to my makeup look, I knew I had to keep the essence of Maleficent but still make her mine. I didn’t want to do a straight up interpretation. First thing to go was the red lips. I just felt while the red lips are iconic they brought to much life to her face. I wanted to focus more on her extreme cheekbones. I also didn’t want to use stock horns because I didn’t want it to look like the movie. I thought I could just make my own horns. Unfortunately that didn’t work out. I had never made papier-mâché horns or anything for that matter and I really underestimated the difficulty level. It took forever to get them the shape I wanted them but I thought they would work.  Leaving them out to dry the night before the makeup I thought I could just paint them in the morning. With the heavy rains that night I guess there was so much moisture in the air that they just fell like a soufflé. With a whole photo-shoot team in place I didn’t have time to try it again. I ran to a local costume shop. I was hoping they would have ram horns or something so it wouldn’t look so “officially licensed” but they were sold out. The next closest thing they had were gazelle horns but they were too small and had no presence. I ended up having to pick up actual Maleficent horns. To make the officially movie licensed horns more custom I tipped them in gold and dusted the rest of the horns with the same paint outside the studio before we shot. With the paint still drying the store bought horns were then placed on Alex's head backwards. This gave it a more evil aggressive look as oppose the horns being swept back. They may not have been our horns but we made them ours.

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Maleficent also has the glowing yellow eyes in the animated movie. Alex has beautiful blue eyes which not only wouldn’t match the character but would get lost in the purplish, bluish undertones of the grey paint I had mixed from EBA Performance Makeup ( http://www.europeanbodyart.com/ ). I decided to use these awesome amber toned contacts from Primal ( https://us.primalcontactlenses.com/ ) which were called the Piranha II – 920’s. After looking them up they actually do look like Piranha eyes which are strangely beautiful for such an ugly fish. I then cut a cheek stencil so I could give her that super over exaggerated contour. I may have gone a bit overboard with it but so are Maleficent’s cheek bones. While showering the morning of the makeup I got the idea to do this super glittery black skin from the neck down. I thought it would look beautiful and Maleficent is a fairy after all. 

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I really love not only how my makeup turned out but how everyone’s looks came together. I really wish during haunt season I could have 7 makeup stations and have us all just churning out hyper detailed haunt makeups. Don’t get me wrong, we do pretty amazing with a four person team and I am always happy with our haunt looks. A boy can dream though can’t he? We won’t have another challenge until probably after haunt season but I am looking forward to the next one and seeing what everyone creates. I am so lucky to be surrounded by such wonderful creative artists and getting to call them team mates.

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Switch

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I am lucky enough to have partnered with Primal Coloured Contact lenses (https://us.primalcontactlenses.com) as one of their makeup artists. They are an amazing company that makes even more amazing contact lenses. Being in the haunt industry I have worked with and seen a lot of lenses and most of the companies designs tend to overlap. Primal has a lot of really cool original designs and they have sent me a very nice selection of lense. As a makeup artist it is very inspiring to come up with looks for all the different lenses. The possibilities of the looks I can create with them are really endless. Luckily I have a good friend (Danny Alexander https://dannyalexanderphoto.com ) who is also an amazing photographer who is willing to shoot my ideas.

A while back I got a message from Avery Grant wanting to know if I had anything coming up I could use her for. Avery happens to be a twin and Danny and I had worked with her and her sister before. The photo of them Danny captured in my makeup about a year ago is still one of my favorite images I have ever worked on. Avery’s face is beautifully androgynous and unique. I had an idea for something I wanted to do but it would require me shaving her head. Avery already had short hair and when I mentioned it, she was game.

Mallory and Avery Grant

Mallory and Avery Grant

Since Danny has been coming over to my home studio to shoot I thought it might be nice to bring in another model for a second look. That being said I wanted to do something completely different than what I had planned for Avery to give Primal some range and to keep things interesting for myself. I messaged my friend Alicia Carper to see if she would be interested. Having been a haunt actor at the Devil’s Attic ( http://thedevilsattic.com ) where I manage the makeup team I knew she would be no stranger to putting in contacts. Plus her face was perfect for what I had in mind.

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After getting a little lost Alicia showed up to my place first. For her I had picked the Contagion I -924 lenses. They are supposed to represent some kind of a disease I am guessing, given the name but I had other plans. Alicia popped in the lenses and they made her big eyes look even bigger. Having worn costume contacts before I wanted to know how the Primal lenses felt in comparison. According to Alicia the Primal lenses were more comfortable and breathed better than what she had worn in the past. Moving on to the makeup I wanted to make her an angel, but my kind of angel. My concept was that demons and angels are cut from the same cloth but fighting for different things. That said the idea was that they would look alike and the way we envision them is only based on what we have been told. Angels being these pure, glowing porcelain skinned beings. Then on the other hand we see demons as these dark twisted monsters. I wanted to show that everything is about perception so I kept it pretty but added in elements to make it a little unsettling. Alicia made this awesome halo crown that helped solidify the idea. The way the contacts brought the look together could not have made me happier.

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When Avery arrived Danny was already getting some amazing shots of Alicia. The lenses I had picked for Avery were the Walking Dead II-935 lenses. They have a very spotty kind of bloody clot look to them, almost coppery in spots. Again I was going against what the contacts were probably designed for. The forms and shapes in the lenses were very organic so I wanted the makeup look to be very hard lined and avant-garde. The night before the shoot I used my girlfriend Heather Day’s face to do a layout. I had bought a bunch of this glittery poster board and I wanted to cut it into strips to attach to her face and head symmetrically. Heather was nice enough to indulge me by letting me put stencil plastic on her face to sketch out a rough design. That way I could cut the shapes the night before and be ready.

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With the shapes precut, the design in my head, and the contacts ready to go it was time to shave Avery’s head.  It’s not every day a model lets you shave their head so it was a bit nerve racking. With a pile of freshly shorn hair on the floor luckily Avery had a nice shaped head. With that it was time to start makeup. With the reds and ambers in the contacts I went with copper and gold accents to really bring it together. I did a dark blue lip to play against the eyes so that both the lips and the eyes would stand out in different ways. All in all it turned out to be a very cool look.

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As an “artist” I never want to be stuck doing one type of makeup and or limit my inspiration. Just like with anything else everything can be repurposed. Just because a makeup brush says it’s for eyeliner doesn’t mean you can’t use it as a detail brush. Just because and airbrush is used to run makeup through doesn’t mean you can’t just run air through it to push paint around like a water color. Rethink your tools and work outside the box. I am sure the designers of the contacts I used did not have what I intended in mind and that’s ok. Primal has a ton of lenses to draw inspiration from and I can’t wait to do more.

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Venomiss

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As a kid I was always a big Spider-Man fan. When Spider-Man switched to the black suit I didn’t know why because I hadn’t read Secret Wars. I liked comic books but I never really read them in order. I just knew I thought it looked cool and I was not happy when he had to get rid of it. As it turned out the black suit was an alien symbiote that would take over its host. That being said it gave birth to a whole new character. Venom was pretty much a huge hulking evil Spider-Man whose Alter Ego Eddie Brock hated Peter Parker and Spider-Man. The stories where they were fighting with each other were some of my favorites. I really enjoyed when they teamed up together to fight Carnage which was an even more evil version of Venom.

Marvel Comics

Marvel Comics

My friend Rebecca and I went to see Infinity War together for my second time and we were excited to see a Venom trailer. Having body painted Rebecca before she commented that Venom would be cool to paint. She was right but I had seen it done so many times before. I feel like it’s almost a rite of passage as a body painter having admired the body paints years before I even thought about body painting. I have seen some really good Venom body paints and some really bad ones. I think my main concern with doing the body paint was landing in the second category. I never shy away from a challenge so I started planning.

Rebecca said, “I have always loved spider-man. From a very young age I thought Toby Maguire was the end all be all and wished I could be in Mary Jane’s shoes. However, Venom has always been one of my favorite Marvel villains. The visual of the symbiote covering Eddie Brock’s body is harrowing and terrifying but it was so cool I couldn’t not watch it every time I saw it. So when Matt and I went to see Infinity War and we saw the preview for the new Venom movie it was like a part of my childhood was coming to the forefront again. I turned to Matt and said “I wanna do that. Lets body paint Venom.” He agreed and I was pumped.” 

Marvel Comics

Marvel Comics

First thing I did was ask Danny Alexander if he would be willing to photograph it. Lucky for me he is a nerd too and I think was excited to shoot a Venom body paint. With the team in place I started planning in my head. Venom is a pretty well-known character so I wanted to stay true to the original design. I knew with all of Rebecca’s thick hair I didn’t want to mess with a bald cap. I thought we could go for a concept where the Venom symbiote was taking over. Doing this I could leave areas of open skin and add more detailing and interest as the black paint appeared to stretched across bare skin.


Rebecca showed up early the morning of the photo-shoot so that we could get started. I had gotten some Monster Pasties for her to wear to give the black a really smooth super suit look. Monster Pasties are great because not only are they made for body paint but they go on very easy. Rebecca was in the bathroom for way longer than it takes to apply the pasties. When I went to check on her I could see the panic in her face. The way you apply the Monster Pasties is kind of like a temporary tattoo. You peel off the plastic, place the center of the pasty over the nipple while pressing firmly making sure all of the edges are down while dabbing a damp wash cloth to release the pasty from the paper. Just like a temporary tattoo if you try to apply it without removing the plastic, you ruin it. Unfortunately this is what Rebecca had done. Knowing we didn’t have a backup pair we just sat there saying curse words under our breath until she just said we would have to go without. Knowing that Danny was coming and the only other option was to cancel we decided to move forward and start painting.

Rebecca said, The day finally came and I pulled myself out of bed at 8:30 on a Sunday morning in order to get painting in time for some events both Matt and I had later on in the day. Once I got to Matt’s place I got ready and prepped for the paint and one of the main steps in prepping for body paint is putting on the pasties. However, me not being fully awake yet I managed to royally screw up one of the pasties. I felt awful and I knew there was no way I could postpone the makeup and shoot because all of us were just too excited. So I got over myself and went fully topless.” 

Behind the Scenes Selfie

Behind the Scenes Selfie

I knew I just had to position everything so that black paint ended up over her nipples which would make them easier for Danny to edit out in post. The first thing I started painting was the gapping mouth Venom is known for. Not only did I know that would be the most difficult part but I knew it would be the center piece as it goes from just under her nose down to her chest with the tongue snaking around her shoulder. Once the mouth was done sans the black I started making out where the open skin sections would be which would let me know how much of the white spider on the chest was needed. I then airbrushed in a brown drop shadow where the black paint/symbiote would meet the skin. Positioning the legs of the spider was easier than expected. It made sense to keep them on the breast for fear of losing the proper shape and flow if I went below the breast. I placed Venom’s eye around Rebecca’s eye instead of over it. No matter how much paint I used Rebecca’s dark eyelash would have still be been visible in Venom’s solid white eye, while painting black over her eye would make it pretty much disappear.

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Once I got all the white painted on the black was smooth sailing. After doing a couple layers of black for a good overall coverage I started to streak the black over the bare skin to make it look like the symbiote was trying to close the holes over the bare skin. Except for the drop shadow I had hand painted everything up until this point. I broke out my airbrush to do some highlights and low lights. I wanted to add some stretching over the bare skin parts and detailed the edges. Using grey, white, and light blue airbrush paint I went in and highlighted and detailed to give the solid black areas a little more depth. I also airbrushed some black to get rid of the harsh line where the tongue disappeared into the throat.

Rebecca said, “3 hours later I was painted and Danny arrived and we started shooting. The paint looked so amazing and I felt like such a bad-ass all thanks to Matt and Danny”

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The way Danny lit the photos really brought everything to life. Danny also brought an apple box. I didn’t know what he had in mind for it but I was still painting when he showed up so I didn’t question it. When he felt we had a good static shot of the body paint we moved to the apple box. He had Rebecca crouch on the box so he could shoot from slightly below her. Posing for body paint is vulnerable enough so I give props to Rebecca because without hesitation she was able to nail the pose which I knew couldn’t have been comfortable in only a thong. Danny wanted an image he could composite to make it look like she was perched on a rooftop. When I saw the image for the first time it looked like to was ripped from the pages of the comic book

Rebecca and I with Poe the Kitten

Rebecca and I with Poe the Kitten

Rebecca said, I don’t consider myself a model but this has got to be my favorite shoot I’ve ever done. I truly appreciate Matt and all his hard work and I thank Danny Alexander so much for helping us create such a cool concept. He also did wonders with helping me to pose and show off the paint in the best way possible. I’m extremely grateful to be a part of this team and I can’t wait to do more body paint modeling in the future.” 

 

Like I said before, I have seen Venom body paints done so many times before. I am not going to say the one I did is one of the best, not by a long shot. That said I am very happy with the paint I was able to do. Danny and Rebecca really made me look like I knew what I was doing. When it comes to body paints I definitely like creating my own thing and doing something that no one has seen before. That said this is my third comic book character body paint and I really love bringing these heroes and villains to life.

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Derby Daze

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I could really break this up into two blogs but with it being all Kentucky Derby related I have decided to keep it all in one. Derby for me always starts months prior to the actual event. There is planning to be done and schedules to be made and this year was no different. The Haunted House where I work and I had an event to run and do media for and I had two parties I was scheduled to do makeup/body art for. Now that I think about it I was only scheduled for one party but I will get to that.

The haunted house where I manage makeup, the Devil’s Attic (www.thedevilsattic.com) also runs the Louisville Zombie Walk which is the biggest Zombie Walk of its kind with over 45,000 participants last year. This past fall our Haunt owner Jason told me about an opportunity that had been offered to us by one of the biggest festival’s in Kentucky. The Kentucky Derby is cool and all but it’s really all about the Kentucky Derby Festival (KDF) which goes on for about two weeks leading up to the horse race itself. The KDF wanted us to bring what we do for the Louisville Zombie Walk to their festival. What we came up with was the Derby of the Dead.

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For Derby of the Dead I would be making 4 zombies. Two zombies would be for a local news stations, and the other 2 zombies would be for the day of the event. One of those zombies would be to work the crowd and the other one for a live demo. My team (Team Demon Fabulous) would also be making crowd walking zombies. Lucky for me EBA Performance Makeup (  https://www.europeanbodyart.com ) and Woochie FX ( https://www.woochie.com/ ) supplied me with makeup and prosthetics to make these zombies real show stoppers. I love EBA’s makeup but I had never actually applied a prosthetic before and the first time I would be doing it would be for a live news broadcast.

Some of the Prosthetics from Woochie

Some of the Prosthetics from Woochie

The first zombie I did for the news was on Morgan Dayton. Even though her segment was for Friday which was the day of the event it would be recorded the same day as or live segment which was the preceding Wednesday. On Morgan I didn’t use any prosthetics. I just did what I call a “Standard Paint Zombie” and played with some marbling techniques and layering. I was very happy with the way she turned out.

Morgan Dayton in Zombie makeup by me

Morgan Dayton in Zombie makeup by me

Rebecca Rhodes was going to be my Zombie for the live broadcast so I had her show up a little bit before Morgan at 7:30am. Having never applied a prosthetic I wanted to make sure I gave myself enough time. I laid on some pros-aide cream adhesive where the prosthetic would lay. While that set up I put some more of the adhesive on the back side of the prosthetic. This prosthetic was a half face, covering only the ocular sockets the cheeks, bridge of the nose and the forehead so it was pretty easy to place. Once it was in place I painted a layer of Pros-Aide on top of that to seal it before I powdered and painted it. Foam latex prosthetics are very sponge like and if you don’t seal them they just suck up all of your paint. Once you seal it with the pros-aide you have to powder it to keep it from being sticky. I base painted it with a mauve color to neutralize the yellows in the prosthetic before I painted it using the same color scheme I used on Morgan. For it being my first prosthetic application I was pretty pleased.

Rebecca Rhodes in Zombie makeup by me

Rebecca Rhodes in Zombie makeup by me

This is the live broadcast from WHAS Great Day Live! https://www.whas11.com/mobile/video/features/great-day-live/derby-of-the-dead-on-great-day-live/417-8107460

The day of the event I had distressed a jockey costume for our actor Jeff Howell who would be my “hero” zombie walking around the crowd. I would be applying the full face stage 3 zombie prosthetic from Woochie. Jeff was excited as he always is to be a zombie but I was concerned. Having only applied one facial prosthetic before this would be no small task. I could already tell it was too big for his face. I placed the prosthetic and secured the nose in place first and then worked from the top down making sure all my edges were good and seamless. After smoothing the prosthetic top to bottom there was a lot of slack left under the chin and neck area. I tried folding it over to make it look like wrinkled hanging flesh but it wouldn’t hold. I ended up having to cut a dart/triangle out of the part that wouldn’t hold and pulled it together. I then made a bridge with latex and deli paper. Once it was bridged I added some latex and cotton to give it some texture and then sealed it all. Painting the Woochie prosthetic with the EBA Performance makeup was probably my favorite part. The sculpt was great but before it gets paint it just looks lifeless, pardon the pun. I loved breathing life into it and was very happy with it. I named the character Pat Day of the Dead after the famous jockey Pat Day.

Photo of Jeff Howell as Pat Day of the Dead by Tate Chmielewski

Photo of Jeff Howell as Pat Day of the Dead by Tate Chmielewski

From there we packed up all of our gear and headed to the event. I was lucky that Tabby Sharp of youtube fame (https://www.youtube.com/user/tabs24x7Official ) agreed to be my subject for my demo makeup. She is so much fun and great to work with. After the issue with Jeff’s prosthetic I was worried the one for Tabby wouldn’t fit either as she is very tiny standing at 4’10. I placed it on her face and it looked like it may overlap just a bit on the sides but not enough to be incredibly noticeable with her hair down. The demo was taking place outside at the waterfront (Ohio River). As you can imagine airbrushing in high wind on a raised stage is not ideal. I had to wait for the wind to die down at times to try and paint otherwise none of the airbrush makeup would make it to her face.

In the process with Tabby Sharp and myself

In the process with Tabby Sharp and myself

I was also working against a time constraint. Due to scheduling conflicts I went from having an hour which was already pushing it down to 45 minutes. With Tabby’s bright pink hair and the colorful onsie she was wearing she looked like a piece of chewed up bubble gum when I based her in the pinkish mauve color. Once I was able to get my color scheme from EBA on her it all came together. With Tabby’s diminutive size it added an extra element of creepiness to the makeup.

Photo of Tabby Sharp by Tate Chmielewski

Photo of Tabby Sharp by Tate Chmielewski

Photo of Jeff and Tabby by Tate Chmielewski

Photo of Jeff and Tabby by Tate Chmielewski

 I have been lucky enough in years past to book gigs for derby parties. About 2 months before the Derby I met with Josh Meredith of the Original Makers Club (OMC). The OMC was going to throw a huge Derby Eve bash at 21c which is an amazing art gallery and boutique hotel. I have worked there in the past and it is an fantastic venue and I was excited to work with Josh for the first time. I had done a makeup on my friend Katye Estes with a lot of geometric shapes which caught Josh’s eye and prompted him to reach out to me.

Sponsored by BMW and Woodford Reserve 

Sponsored by BMW and Woodford Reserve 

The inspiration for the party was based off the recent Gucci designs featuring a king snake and bright pink flowers. I knew straight away I was not going to paint a snake, at least not in any way that would be expected. I had looked up a bunch on snake body paints. I wasn’t looking for ways to do it but rather for what not to do especially since we wanted a more "Art Basel" feel. The body paints I found in my research went from more character based body paints to just painting on a full coiled up snake. What I came up with was using the king snake’s pattern as a sash. On the lower half of the snake sash I would do the pink flower’s emerging from underneath. On the upper half I would give Josh the geometric style which prompted him to call me in the first place. I liked the idea of the top being very structured and the bottom being more organic.

Rough sketch of body paints

Rough sketch of body paints

Upon entering 21c to start the body paints for the party I realized I had forgotten my air compressor for my airbrush. Fellow makeup artist and good friend Rebecca Rhodes was going to be my date for the party so I called her up right away. Rebecca was also my zombie for the above news spot. I asked her if she could be there a couple hours early and bring her compressor so that I could do the finishing touches with airbrush. I got to use 2 of my favorite models again for another doubles body paint. I had painted Karoline Hix and Mallory Mims as jockeys last year  for a different party in the same venue which you can see on my body paint page. With this year’s body paint I started on the pink flowers first. As I was getting the flowers worked out Josh excitedly came in and wanted me to come take a look at how the party was coming together. When I was done with the flowers I popped out to check the event space. The main bar was covered in the King Snake pattern and there was a huge King Snake,… well,... snaking down the railing of the stairs. The décor had a very leathery almost snakeskin kind of feel to it. Luckily I had not started painting the snakes on the models because they had replaced the cream colored stripe of the king snake with gold.

Photo by Morgan Worley

Photo by Morgan Worley

Photo by Morgan Worley

Photo by Morgan Worley

Having seen the event space changed my color scheme. I of course changed the cream in the snake pattern to gold. The geometric shapes were originally supposed to be pink, red, and black. I changed out the pink for gold which gave the paint a more dynamic look. There were more than a few things that didn’t go my way on this paint and I was running out of time. I am a bit of a control freak and I never like to ask for help. I knew I didn’t want to sacrifice quality for speed. I was coming down to the wire and I am just glad I had a makeup artist there I could trust. I gave Rebecca the color scheme and asked if she would be able to knock out a few beauty looks and she stepped up in a big way.

Mallory Mims and Karoline Hix, Photo by Morgan Worley

Mallory Mims and Karoline Hix, Photo by Morgan Worley

Me with Mallory and Karoline, Photo by Morgan Worley

Me with Mallory and Karoline, Photo by Morgan Worley

Once the models walked into the party I got Rebecca and I some drinks. It’s always really cool to see people’s reactions to the body paints. They are always surprised that the models are only wearing a thong. That or they just don’t even realize they are nude and think it’s a skin suit. The geometric shapes I had painted revealed some bare skin which made it a little bit more apparent. The models and body paints seemed to be a hit at the party and Rebecca and I were able to relax and enjoy the festivities.

Photo of Rebecca Rhodes and I by Jose Aponte of the Voice Tribune

Photo of Rebecca Rhodes and I by Jose Aponte of the Voice Tribune

Everything had been months in the planning stages. That said the Monday before Derby I got a call from my friend Mike Brady from King Sixteen. I have worked with Mike and King Sixteen in the past and have always enjoyed it. They were doing a Derby party at Rabbit Hole Distillery. Mike has amazing ideas and always wants to have a wow factor. I am lucky enough that he calls on me to be a part of that.

Sponsored by Porche and Rabbit Hole

Sponsored by Porche and Rabbit Hole

I had sent Mike an image of a woman in a bathing suit made of reflective material that looked a bit like a stylized golden shattered mirror. When Mike asked if I could do something similar with 4 days until the event I quickly went out to try and find the materials I needed to accomplish the look. I knew I couldn’t get it exact because not only had the image I sent been edited heavily but the model didn’t need to move around in the material. She just had to pose for a photo, and could be reset in between shots. Ideally some sort of plastic formed to their bodies would have been perfect. It wasn't really in the budget and we definitely didn't have time for that. I needed something really reflective that was light weight that would flex with the body and wouldn’t crease too badly. I think the material I found was pretty close. Oddly the models that were cast already were Karoline and Mallory who I had worked with the night before with the addition of male model named Darren. I also added a dark smoky eye to all 3 models with some silver accents just to add a bit of sexiness.

Photo of Darren, Karoline and Mallory by Danny Bloom

Photo of Darren, Karoline and Mallory by Danny Bloom

Hunter S. Thompson has been famously over quoted as saying that,  “The Kentucky Derby is Decadent and Depraved,” and he was not wrong. After all the Bourbon and late nights I was ready to give my body and liver a rest. That said, I am already looking forward to next year.


Photo of Darren, Karoline, Mallory and myself by Danny Bloom

Photo of Darren, Karoline, Mallory and myself by Danny Bloom

Dark Heart Woods

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While at Transworld (which you can read about in my previous blog) I was able to speak with the talented Alana Rose Schiro. She was on season 3 of Face Off among other things. Alana is also the creator of Rotten Roses. She was one of my favorites on Face Off and is such an amazing artist. It was so nice to be able to talk to an artist whose work you admire and actually be able to converse with them. I was with my friend and fellow artist Rebecca Rhodes who was also my demo model for EBA Performance makeup at the convention. Alana had seen Rebecca the day before in a possession type makeup I had done on her and didn’t recognize her out of makeup. Alana seemed to take a liking to Rebecca’s look and suggested her and I could tag team a makeup sometime and Rebecca could be our model. Of course when hearing this Rebecca and I both perked up.

I was ecstatic at the idea to work with someone so talented but there was no time to try and do so at the convention. With Alana living in Los Angeles and me in Louisville,Ky. I couldn’t see how it would be possible any time soon. We talked a bit about it and came up with the idea that we would each do a body paint based on the same inspiration image. One of my many flaws which can also be a blessing is once I get my mind set on something I don’t let up until it’s done. I was sending Alana possible inspiration images and probably driving her insane. Understandably Alana was extremely busy and said she would have to wait until things calmed down before she could really dive into this project.

I had looked up so many possible inspiration photos but one really caught my attention. The image was of a gloomy forest with a path running down the middle. From the path was a column of light with a lone figure standing in the clearing.  The image had a very isolated and lonely feeling to it. Not to sound like a dark cloud but I have felt very much like that lately. The image of the lone figure standing alone in the path of trees spoke to me. I knew I had to do a body paint inspired by this picture. I was already considering using Rebecca as my model because of Alana but beyond that it just fit. With her jet black hair and strong yet elegant features I knew she would be perfect. That said I also knew that Rebecca had never done body paint modeling before. Modeling for body paint is a lot to ask of someone. They have to stand there for hours in most cases nude. It can be very vulnerable but also equally empowering. We had talked about body paints before but when it actually came time to ask I didn’t know what she would say. Luckily she trusted me and my vision and agreed.

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I asked Rebecca if she could give some insight into her experience as a body paint model. This is what she had to say, “I don’t really consider myself to be a model. I have stepped in front of the lens a couple times, but I consider myself to be an amateur. However, I hold the art of modeling in high esteem and respect, and the work that it takes. In the past I have done shoots almost entirely focused on my face and the makeup, but this time was extremely different. Matt asked me to be a part of the process and while I was nervous, I was so excited. Matt and I have a great working and personal relationship and I consider him to be one of my best friends as well as my mentor when it comes to my own personal growth as a makeup artist. So, when he asked me to be a part of this body paint, I was honored. Having never even done an implied nudity shoot to straight body paint was a big leap and it took a lot of mental determination to keep my own personal doubt from getting in the way of my work as the model. The night before the shoot I’d unfortunately been sexually harassed while out celebrating for my birthday, so I was feeling a little guarded. This being said, I knew I had to let the walls fall even though I’d be cold, exposed, standing for at least a couple hours, and I knew I was going to be antsy by the end of the process. However, Matt took care of me and made sure that I was in a comfortable environment and helped to put me at ease. When it came to the painting it took about 2 and a half hours and Matt did his best to work diligently, and doing the live stream on Facebook while being painted was also really fun and it kept things light and interesting. All in all, I am in LOVE with the paint and the way it turned out and I would definitely volunteer myself to be a body paint model again.”

I definitely wanted to alter the imagery of the inspiration a bit. Because of how it inspired me I wanted to twist the limbs of the trees into a heart with the light source emanating from the dark thicket. I also knew I wanted a lone figure in the heart so I chose a bat. I wanted to keep the bat small though because didn’t want it to really be a focal point. I wanted the forms to really fit Rebecca’s body so instead of using a generic body chart I asked if she would allow me to attempt to sketch it out on her body to see how the forms would flow. I am glad she did because the way I envisioned the heart in my head was not as long as it turned out being given the length of her torso. In the sketch I used different colors for the trees to denote background, midrange the foreground trees. With the sketch being as rough as it was I fully expected Rebecca to question my ability to pull it off. It looked like a huge mess but I could read the lines. I knew what it all meant and weather she did or not she trusted me.

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With my inspiration and model ready to go I knew I wanted a good photographer to help document the work. Danny Bloom is new to the creativity community in Louisville and is a hell of a photographer. Lucky for me he was all over the idea when I asked if he would be interested. I also knew I wanted a head piece or crown to pull it all together. I contacted my friend at Velvet Rose Vintage and asked how I would go about building such a thing. She listened to what I wanted and looked at my inspiration and sketch and said that she would just go ahead and build it herself. When I saw the Head Dress it was perfect for the look and feel I was going for. Danny brought some great ideas to the shoot as well. With it being dark and gloomy feeling body paint my first instinct was of course to have a dark back drop. Danny made the right choice in going with white which made the body paint and amazing head dress from Velvet Rose Vintage really shine.

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When doing body paints I don’t usually like to use pasties. Women’s bodies are over sexualized in media. You can see a billboard of a shirtless man but for whatever reason we deem the same type image of a woman as dirty. Aside from body paint being an art it’s also a celebration of the human body. That being said I just feel like it sends the wrong message that there is something about the female form that should be shameful and covered. However we had decided to do this body paint on Facebook live as Rebecca mentioned above. I knew we would unfortunately have to cover her nipples.  We used what are called Monster Pasties and they are seamless. Most pasties take paint terribly but makeup and body paint is what Monster Pasties are designed for. Once you get paint on them they disappear. I used two different types of paint on this as well. I used all EBA Endura alcohol based makeup in my airbrush. They make the best airbrush make up and it is all I will use. For some of the blending and Speckling I used Mehron water activated Paradise paints.

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I am so excited with how the body paint turned out. I appreciate everyone who helped this vision come together. I still plan and hope to do a body paint challenge in the near future with Alana. It will be very interesting to see how we interpret as single image differently.  That said I would like to do more of this type thing with other artists who I respect. It is always good to challenge and push yourself.

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Transworld 2018

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Transworld is very much in a way like Christmas to haunters. I look forward to it every year and get very excited about it. Then in a weekend It’s over and similar to Christmas you're left kind of dulled by all of the excitement. For those that don’t know, Transworld Halloween and Attraction Show is the biggest haunted house convention in America. Given how Americans celebrate Halloween probably the biggest in the world. This year I had two out of three artists from my makeup team “Team Demon Fabulous” which is the makeup team for the Devil’s Attic haunted attraction in Louisville, Kentucky Mary Proctor and Rebecca Rhodes (www.thedevilsattic.com) going with me. Seeing as how I was the only makeup artist from our haunt that went last year having almost my full team with me was exciting. Hopefully next year Phoebe Conrad will join us and we'll have the whole team.

This year I was set to do a makeup demo for my favorite makeup brand European Body Art: Performance Makeup. They are such a cool company and everyone that works with them are awesome. I was originally  slated to do my demo sometime on Saturday. When I confirmed my demo time on Thursday the day before I would be leaving I found out I was instead doing my demo on Friday morning at 11am. This wouldn’t be an issue if I were riding alone but I was riding with three other people. We generally leave Louisville Kentucky around 9-10am which would be too late to get to Saint Louis in time. Luckily everyone was able to leave with me earlier. That said I didn’t anticipate how long it would take to get registered once we got there.

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My artsists and friends Mary and Rebecca  (who was also my model for the demo) could see how frustrated I was and kept me calm. Once I got in and set up I was a few minutes late. I hate being late for anything so to say I was flustered would have been an understatement. From the demo stage I asked Rebecca to grab my airbrushes out of my bag.  When she couldn’t find them I realized in all of the rush I had left them in the car. Not only was I late, I was unprepared. Luckily Alden Silvestre with European Body Art (EBA) had a spare which saved me the 20 minutes of running back to my car.

After looking like a slacker who showed up a few minutes late without his most important tool I was able to get started. We have a Reagan character from the Exorcist at our haunt. One night after doing her makeup the actress put on a bubblegum pink care bear pajama union suit to stay warm before we opened for business and she would be in a night gown the rest of the night. I loved the contrast of the pink against the greens, browns, and deeps reds of the makeup. I also loved the juxtaposition of the creepy makeup and the cute pink pajamas so that is the look I wanted to recreate on Rebecca. At the haunt we can’t afford to use prosthetics every night. What we do is build everything on the actors face in cotton and latex. While the latex is drying we work on other makeups. I knew I wouldn’t have time for latex to fully dry in that time frame so I used molding wax for the scars. While it is faster and looks better wax would not hold up to the abuse of an actor in a haunt. In a convention setting it would work perfectly though. Not as perfect as prosthetics but I had expected to be able to walk the floor before my demo and pick some up. All in all I was very happy with the way it turned out and being the actress she is Rebecca really sold the look with her go to line being "Have you seen mommy?" With all of the pictures people wanted with her I am sure her and the makeup are all over the internet.

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Nix Herrera and Myself

Nix Herrera and Myself

The next day Mary was asked to act for Heather Henry’s company High Noon FX. She would be popping out of a very realistic silicone body all day in full body paint. I will post a video of her performance at the bottom of the blog. That left Rebecca and I to wander the convention  floor. We saw all kinds of cool and inspiring things. The best for me though was talking with people I have met in years past who’s work I respect and are just good people like Jessica Mellow, Stephanie Masco and Alana Rose Schiro to name a few. The more I walked around the more I wanted to do another demo. When we stopped by the EBA booth to pick up some makeup I mentioned to Alden I wanted to do another makeup if there was time. Come to find out Nix Herrera who I look up to was going to be doing makeup for them all day the next day. I couldn’t be upset, I got to do my one and I was happy for that opportunity. After we walked around a bit more we stopped back by because Rebecca “needed” to buy more makeup. Nix came up to me and said he had heard I wanted to do another makeup on Sunday and that he would split the stage with me and we could do demos at the same time. So not only would I get to do another makeup but I would be doing it with someone I look up to.

Mary Proctor in makeup by Heather Henry of High Noon FX

Mary Proctor in makeup by Heather Henry of High Noon FX

Myself and Nix Herrera sharing the EBA demo stage.

Myself and Nix Herrera sharing the EBA demo stage.

Rebecca Had brought this dress made by a company called Western Evil. It was a white collared black Wednesday Addams style dress. On the front of the dress is what at first glance looks like Disney’s Magic Kingdom logo, only it’s not. The spires are crosses on fire and where it would say “Magic Kingdom” it says “Tragic Kingdom”. I let this be my inspiration for my Sunday demo. I love adding social commentary into my makeups and the first thing that came to mind was Banksy’s Dismal Land. I framed Rebecca’s face in black and brought the forehead down into a peak like Mickey Mouse. I had Rebecca do her black hair up in space buns to resemble mouse ears. I gave her face a very dead and sickly look using washes of white, with fluorescent pink, deep reds and deep purples. I then dripped the black down her neck to bring in a street art feel. I topped it off with a crudely drawn dollar sign on her forehead and bruises on her knees. I won’t explain the piece totally so you can draw your own conclusions but I will say it was about big business and corporate greed. Over all I was very excited with the way the makeup turned out. It’s probably one of my favorite horror style makeups I’ve ever done and I am so thankful to Nix for letting me share his stage.

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All in all this was another amazing Transworld. It always energizes me for the haunt season among other things. Whether you are an actor, a makeup artist, a scene/prop builder, costumer whatever you will be inspired. If you can leave this convention and not be inspired you might be in the wrong industry. Now I am looking forward to haunt season and I am ready to dive in. Then on November 1st I will be looking forward to Transworld.